I recently spent time trying to puzzle out the Viking Knit. There some excellent directions on the Internet including these on the Fine Art by Rocio website. The problem is, the Viking Knit that looks so cool is double or triple knit and all of the instructions that I saw, including those in Irene Petersen’s otherwise marvelous book, tell you to loop down a couple of rows with a single wire and then go up a couple of rows and come back down to double knit and repeat to triple knit. I don’t know about you, but that would drive me “Ape-something that rhymes with knit.” Plus it’s hard to keep your rows and stitches even and the wires lying evenly instead of whopper jawed and all kinked up.
And then there was this thing about clamping an Allen Wrench in a vise that seemed like overkill. Viking Knit wants to spiral and as long as you keep your stitches fairly even, you don’t have to be fanatical. You can straighten your wire work when you take it off the mandrel. I was able to find several artists on the Internet who used a mandrel of some sort. I have had success with dowels and chopsticks.
But my biggest discovery is that you don’t have to do the up and down nonsense to do triple and double knit. All you have to do is work with two or three wires at a time. It’s really not that difficult.
Here’s a crudely drawn picture of how you start:
The red loops are what they call the petals. The above diagram shows the stitch worked flat, and you can see examples of this in Arlene Fisch’s classic book Textile Techniques in Metal. But for now, think round. Since it’s recommended that you work in 24 or 26 gauge wire, working with 2 or 3 strands at a time is easier than it sounds. When I work with copper wire, I work with yard long strands of wire taped together one end and proceed as if I was using a single wire. When I work with brass wire, I use 18″ to 24″ strands because the wire is stiffer and a little harder to work with, but it is not difficult. Here are some pictures:
Here is a triple knit chain in progress. It is three stitches around and I am using 24 gauge wire. They say that 24 or 26 gauge wire is the best size to use.
I add new chain according to the standard directions you will find in Internet tutorials or Irene Peterson’s book. I worked on this brass wire chain until it was about 16″ long. Then I annealed it with a micro torch (you don’t need to do this with copper or fine silver, but brass is stiffer) after brushing it with flux to cut down any fire scale.
The next step is passing it through the wooden draw plate.
The above picture shows the chain during the drawing process. I passed it through three successively smaller holes, then stopped. I once saw a video of Charles Lewton-Brain demonstrating fold forming and he said something that stuck with me. I don’t remember the exact quote, but he said that when you are working on something and reach a point where you like how it looks, STOP!
The picture above is the finished necklace. I soldered the knitted ends together and soldered a 14 gauge wire to each end. Then I made the end caps from brass, passed the 14 gauge wire through the holes in the end, I formed wrapped loops. made jump rings and soldered them closed and finished with an “S” clasp I made for the necklace.
Here is a close up.
To give you a little perspective, the two copper sections below are five stitches around. The top one is triple knit the same way I did the brass necklace and the bottom one is single knit.
The final picture is a close up of a wide hole bead I slipped over the chain. The final necklace was about 24″ long. How long do the chains get when you draw them? There isn’t a hard and fast answer. It depends on the stiffness of your wire, how many times you draw the chain and how many stitches around your chain is. The only thing I can say for sure is better too long than too short.
So now that you know how to make a double or triple Viking Knit chain without all the up and down maneuvering, go ahead and give it a try. OK, you might think it’s cheating. You might be a purist. Just remember, as someone wiser than me once said, “Virtue is its own reward and little else.”
Here’s a late addition: the Viking Knit is the same as the “Acorn Stitch” or Celyon Stitch” used in embroidery, only it’s worked upside down. Sometimes you can get the hang of a technique by trying it in another medium first. If you’re new to wire work but good at sewing, try the technique with thread to get the hang of it.