Line by Line

TPA Winter 2017

I am happy to announce that an article I wrote, The Art of Emily Squires Levine” appears in the latest issue of The Polymer Arts.   You can access a sample version of the magazine here.   Besides writing about the gorgeous, colorful, vessels works of art that Emily constructs from  the dinky plastic dough made for children that we call polymer, writing the article sparked a personal exploration of why the process of artistic growth, or any type of growth at all, can be so achingly frightening.   Even when we know what we must do.   

The process of shifting from one stage to another involves leaving part of one’s self behind.   This process can be made less painful when it is part of a ritualized experience  (think of your first day of school), or a group experience.  But we are usually on our own when it comes to personal transformation.  And it is so hard to let go of what is familiar  and what (we tell ourselves) has worked so long.  Why change?

I think that all change involves letting go, but our human nature and instinct for survival can make us resist letting go.  Letting go involves a death of sorts.  But without letting go, things don’t change.  We don’t change.

How to let go?  Acting in love is one possibility.  Love can help us do things we never thought possible.   There are  concrete examples of this in The Art of Emily Squires Levine. ” 

 I am still thinking about all of this and would like to know how you feel if you care to share your thoughts.  

 

 

And A Happy Thanksgiving To You, Too!

Whether you are into taxidermy, (or not) or just plain turkey (or not.  If not try this great recipe for Vegetables Wellington here.  It takes forever to make, but boy is it worth it!)

 

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I hope you are able to get together with friends or loved ones (or both) and have a safe, enjoyable Thanksgiving.

 

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1.IMG_6359.jpgAnd Boris asked me to remind you that cats like turkey too.  

Into The Forest In Pittsburgh

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Spinning Plate Gallery Pittsburgh

We drove across the state last week to attend the opening of Into The Forest.  There was so much to look at!  And the opening was packed.  I’m glad I was able to go back to the gallery the next day and get another look.  I was constantly seeing things I hadn’t noticed the night before.  What a treat!  But I’m afraid I have run out of words about now so here are some pictures from Into The Forest.

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You can  buy the exhibition catalog which contains a picture of every contribution along with the name  and locale of the artists.  For more information, press  here.   But the pictures and the catalog are not a substitute for walking into the forest yourself.  The exhibit runs until December 3 and is worth a trip to Pittsburgh.  

Into The Forest Opens This Friday

Into The Forest,  the long-awaited collaborative polymer installation spearheaded by Laura Tabakman,  Julie Eakes and Philadelphia’s own Emily Squires Levine opens this Friday at the Spinning Plate Gallery in Pittsburgh, PA. 

I can scarcely believe that it’s been more than a year since Laura announced the project at Eurosynergy  and requested contributions from the polymer  community.  They responded with enthusiasm: polymer artists from 27 countries around the world and 37 States around the US sent  an abundance of hand-fabricated floral and faunal elements inspired by their geographically-diverse environments.  Into The Forest is more than an art installation; it is a celebration of diversity and unity. A virtual global forest.

A small version of Into The Forest had its first public showing in Philadelphia as part of a larger “Constructing Organics” show which ran at the Park Town Place Gallery from September 2 to December 30, 2016.    Emily, Laura and Julie have spent  this past year working to make Into the Forest come to life in Pittsburgh.

Here are  pictures of contributions from the Philadelphia polymer community that we made under Emily’s instruction at a meeting of the Philadelphia Area Polymer Clay Guild.   

 

 

See you in Pittsburgh!

I Finished The Coin Pendant!

I started the story of my attempts to make a coin pendant  with a post a couple of weeks ago.   I am happy to say that I have finally made a respectable pendant which I intend to give to a friend whose story is much more interesting my story:  Friend got married and started a family soon after high school.  She got divorced and worked at several kinds of jobs before remarrying.  When she was down sized from a job, her current husband reminded her that she had always wanted to go to college and thought that if they looked hard enough, they could find some scholarship money.   She did, they did, they did and she enrolled at the University of Pennsylvania.   And emerged with a Ph.D in Anthropology in 2015.   Since her dissertation was in the field of Irish Studies,  I came up with the idea of setting an older (pre-Euro) Republic of Ireland coin into a pendant  for a graduation present, and I begged some coins from her obliging husband who is a little fanatical about Irish culture himself.   I am only 2 1/2 years late.  But after I got my brilliant idea, I had to learn how to execute it.  I could not find any new instructions (not that they would have helped.)  I finally got inspiration from two YouTube videos by Online Jewelry Academy on how to make a gallery prong setting.  You can watch the videos here and here.   And I got the basic instructions on how to make the bail from a Soham Harrison video you can watch here.

 

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I milled some 14 gauge square sterling silver wire, measured and cut it and soldered it and formed it into a circle.  I wanted it to be the exact diameter as the coin so you didn’t see it from the front, and for there to be a frame on the back of the coin that did not obscure any coin markings.  I decided to have three prongs hold the coin in place and to make the prongs from 14 gauge half-round wire.  The picture above shows a notch I filed for one of the prongs.

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Checking the fit of the wire.

 

04.4SolderSetup

Here is the assembly laid on the soft brick before soldering.  The ring is already soldered. The prong bottoms are pushed into the brick to steady them.  I had a few soldering failures until I made some changes that I think helped.  First, I laid out everything and then made holes for the prongs so I could get them right into the notches and up against the circle.  Secondly, I put a pallion of solder between the prong and the circle right in the notch.  Third, I bent the prongs inward slightly to be sure they were really hugging the circle. I also soldered the ring, quenched and pickled and then tackled the prongs with a softer solder.  I didn’t try to solder all four elements at once like I had done before.  It worked! I had total soldering success! 

05.4a before trimming

Here’s the assembly before I cut the bottom of the prongs flush with the bottom of the circle. 

 

06.5ProngsTrimmed

The cleaned assembly with the prongs trimmed.  They still have to be filed and sanded so they look good and don’t catch on clothing.  

09.7Markingareatobefiled

The coin sits on the circle and the prongs are folded over, trimmed, filed and sanded.  But the inside of the prongs have to be filed to allow the coin to sit perfectly flat on the circle.  So I had to mark the thickness of the coin on the inside of the prongs and then file-very carefully-so the coin fits in without a gap. It’s fiddly work; if you file too much you’ll weaken the prongs.  Too little and the coin will sit askew.   But it’s not really difficult.  

07.6AdjustingFit

Still need to file a bit more.

08.7BendingProngs

A perfect fit!  I start to bend the prongs over gradually.

10.8SolderingBail

The bail has a prong soldered on the inside front which feeds through a hole in the back.  I altered the bail a bit so it wouldn’t open.

11.9Front

 

01.10 Back

 

And here’s the finished pendant!  Still learning, but I like the way it came out.  Finally!