And a New Twist (for me) on Polymer

As the Irish playwright so aptly said, “The world is in a state of chassis.” I won’t go into it all-I am sure you know what I mean. I won’t say that WordPress has made it any better by choosing this time to introduce a new blog post editor. But I try to maintain a sense of perspective. I once shared a house with an older woman, and the night I moved in, I asked her whether there was a washer and dryer we could use. “No,” she replied, “but I lived Second World War in Soviet Union and believe me, you can get used to anything.” Hard to argue with that.

Fleisher Art Memorial‘s pottery studio will be reopening soon with new rules and procedures to keep us safe during the pandemic. And I am working with an incredible team of people to plan a virtual Clayathon for February, 2021. In the meantime, I am participating in the Southern Connecticut Polymer Clay Guild‘s online caning challenges and design challenges. Caning creates a lot of scraps. So I decided to use them and try my hand at making Torpedo beads.

You normally think of earrings when you think of Torpedo beads, so that’s where I started out. But then I decided to branch out and to incorporate non-polymer elements into the designs. I spent a lot of time last summer making fabric jewelry, and I had some gorgeous, vintage rayon embroidery floss in bright colors that was singing out to me. I used this to attach Torpedo beads to one another with the help of screw eyes.

It’s a bit tricky to knot the slick rayon floss securely, but I think I managed to do it with reinforced Surgeon’s knots.

Here are some more variations. And as I make more canes for the challenges, I’ll have more scraps to try. I’m also going to try some other fibers to attach the beads to each other. The sky’s the limit. And maybe I will even learn how to use this confounded block editor!

A Surprising Twist on Caning


I was wandering in the Alhambra complex in Granada Spain last year when I chanced on Laguna Taller de Taracea, a store and workshop offering splendid items for sale that were decorated with marquetry.  Marquetry is a design applied as a veneer that’s made up of  different types of wood, ivory, bone, and metal. The pieces are combined to form intricate geometric designs.  It’s usually applied to furniture, frames and boxes.

I was watching a demonstration of the process when someone in the crowd remarked that it must take a great deal of patience to cut out all those tiny pieces and fit them into the design.  “Not so,” replied the craftsman.  He held up an object which I immediately recognized as a cane.

After the demonstration was over,  I hung around to take some close up pictures of canes and some work in progress.

We polymer clayers have it drilled into our heads that we adapted the caning we use in our work from glass millefiori.  But canework is also a hallmark of marquetry, and the  style of marquetry found in Granada and the south of Spain follows in the tradition of Islamic geometric patterns and stays away from the figurative images you are more likely to see in European marquetry.

Here are some more pictures of the process and a video.


As for me,  I am continuing with the caning challenges put out by the Southern Connecticut Polymer Clay Guild and will let you see what I make in future posts.

The Secret of the Paradox Cane

Let me start out by saying that this is not a post on how to make a Paradox cane, rather, it’s a post on how I learned an easier way to put together a Paradox cane.  Some background:

I have been having a ball these past few weeks trying out the various canes put forth in the cane challenges sponsored by the Southern Connecticut Polymer Clay Guild.   We are given a link to a tutorial or a video on how to make a polymer cane.  We post the results on the Guild’s private Facebook  page and share what we’ve learned in online meetings.

The first cane challenge was the Paradox cane, a beautiful cane that lends itself to so many variations.    Here’s a picture of one that I made.

Paradox6 sided

Motley Woods has a good tutorial for making a Paradox cane, as does Polymer Clay Workshop on YouTube.  There are many others which I have not seen and a great many variations on how make one.  Meg Newberg’s tutorial on Etsy comes highly recommended.  You can purchase it here.  If I ever get back into serious caning, Meg’s tute is probably one of the first tutorials I would purchase because I’ve heard so many great things about it.

The Paradox cane patterns that I have seen consist of three  triangle components joined together and formed into a larger triangle which comprises the cane.  A big problem many people face when assembling a paradox cane is putting the three component triangles together to form a larger triangle.   After you select your clay, arrange it in accordance with the method you are using,  and form it into a square, you are normally directed to  form that square into a triangle, reduce it, and cut the triangle into three pieces to form the final cane.


And this is where the problem comes in. Most people think Equilateral  triangle when they think of a triangle, but that won’t work here with the Paradox cane.  Instead, think Isosceles triangle.  Like this. 4IsoscelesTriangle

From there, it’s easy to alter the triangle as per the instructions, cut the cane into thirds, and then fit the three pieces together into a triangle for the final cane.




ThreeIsocelesTrianglesTogetherForming Isosceles triangles enables you to bring the edge of each component triangle right up to the edge of the neighboring component triangle.  The sections in the middle are pinched into wave shapes that interlock and become solid when all the components are joined and compressed into a larger  triangle which forms the cane.


And the cane is done!  From there, you decide how you want to reassemble and/or reduce your creation.Paradox 2 canes




Evolution of a Decorated Bowl

One of the things I miss most is not being able to go to the pottery studio because of the pandemic. Fleisher Art Memorial is reopening its open pottery studio program in the fall (with safety precautions). I am looking forward to returning.

In the meantime, here are some pictures of a bowl that I threw on the wheel and then decorated with slips and underglazes. It’s white earthenware, low fire pottery.