On My Work Table

I continue to experiment with making polymer earrings. Why earrings? I know that seemingly everyone went on a polymer clay making earring bender during the pandemic lockdown. YouTube is full of tutorials on how to make and sell them. There are Facebook groups dedicated to polymer clay earrings (including this group which I belong to), and a myriad of earring sellers on Etsy. But that’s not why I chose to start making earrings. I chose to focus on earrings (for now) because they’re small projects, I can move from project to project quickly, and I can try new things as soon as ideas jump into my head.

And I haven’t really been making earrings. What I’ve been doing is making components and shapes.

See all the shapes I’ve been collecting? Some of them might even find their way into earrings one of these days.

Here’s one of my favorite tools: a hair curler that Susan Gross gave me at a Clayathon. It’s great for texturing the back of earrings.

For now, I am designing new shapes with Vectornator, and cutting out templates on my Silhouette Portrait 3. I want to stay away from cutters except for basic shapes I can alter. I am trying to make something unique. I have succeeded in making plenty of duds but I am making progress slowly.

I’ve also been working on my craftsmanship and slowing down. And making a LOT of pieces. Practice really does make better. A few years ago, I designed this necklace for Step by Step Wire Magazine. It took 10 feet of wire and someone remarked that I was very good at making those coils. I replied that if I didn’t start off that way, I was certainly good at it by the time I finished the necklace. You’d be surprised at how good you get when you do something over and over.

People always say that it’s easier to smooth out the boo boo’s in polymer before you bake. Well, yes and no. The key is touching the clay as little as possible to get the effect you want. And that takes practice. The right tools help, but a tool will not automatically make you a better crafter unless you know how to use it. And that takes practice. Didn’t I just say that?

Another thing I learned is that UV resin, as beautiful as it can be, can’t make up for bad craftsmanship. Ask me how I know.

And with earrings, you can get the shape and the color, and you still have to decide how to hang it from the ear. Kathleen Dustin says that the ear wire should be an integral part of the design or totally invisible. Beading Yoda agrees. I like to make my own findings so I can try different alternatives and see what works.

At the rate I’m going, I wonder if I am going to have any of my own teeth left when I finally produce a well-designed, well-crafted pair of earrings. We’ll see.

The Center for Creative Works

The Center for Creative Works serves people with intellectual disabilities by helping them to achieve their creative potential. CCW started as a sheltered workshop model in the 1970’s and evolved into an arts program where participants could gain art skills, and sell their art.

You can support this wonderful organization by making a purchase from their online gift shop.

Looking for Inspiration

I must confess that I am feeling particularly uninspired as of late. I’ve been making ceramic mugs in the pottery studio and decorating them with underglaze, but even this seems forced.

The Penn Archeology and Anthropology Museum has been a great source of inspiration for me in the past. Flea Markets are a great source of inspiration, too. If those don’t work for you, the Huffington Post offers a few suggestions to stoke your creativity. I find that the best thing for me is to take a long walk and to try to look at things differently.

So last week, I revisited a Philadelphia neighborhood I lived in years ago which happened to be hosting a vintage flea market on a beautiful fall day. Even if the walk didn’t open the inspiration floodgates, I figured that at least I would get some exercise since I walked to Powelton Village and back from my South Philadelphia neighborhood. And got to look at Center City Philadelphia architecture from the west rather than my usual eastern view. Architecture can be another source of inspiration.

I’m not feeling inspired yet, but when I do, you’ll be the first to know.

Off the Wall: American Art to Wear

I went to a couple of great  exhibits this year before the coronavirus shut the museums.  One of them,  Off the Wall: American Art to Wear, at the Philadelphia Museum of Art, was especially enjoyable.

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While I’ve never been a fashionista, I’ve always loved colorful, striking clothing.  I grew up in the 70’s with a mother who thought that Leslie Fay was a fashion icon.  Oh, dear.  This made for some interesting discussions best left to memory.  But a lot of people felt like my Mother.

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There has always been art clothing, but usually not for the hoi polloi like me and my Mother who were expected to wear sensible “uniforms” and not stand out.  That seemed to change in the late 60’s and early 70’s when brighter colors became acceptable, tie dye was all the rage, and the hand-made movement took off.   I think that the American art clothing movement was a product of this, and it has definitely left a mark on what we wear today.

Some of my favorite pieces from the exhibit:

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Embroidered Top and Skirt, Mary Ann Schildknecht

There is a saying somewhere  that an article of clothing does not qualify as couture unless a dozen nuns went blind making it.    So I was amused  to learn that nuns taught Mary Ann Schildknecht how to embroider while she was serving a two-year prison sentence in Italy for hashish trafficking.  The result is this astounding top and skirt, above.

I first saw this cape and hat by Susanna Lewis in an issue of Ornament Magazine years ago.  Ornament is the best magazine if you are interested in art clothing.

Double click on the pictures to get  a look at the full sized versions of this headdress and cape by Debra Rappaport.  They are made entirely of found objects.

Knitwear

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Joan Steiner, Manhattan Collar

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Katherine Westphal

 

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One of the entries from the Levis Art Denim contest of 1974. Levis Jeans sponsored a contest inviting its customers to decorate their denim and send them pictures.

This is just a sampling of the wonderful articles of clothing displayed in the exhibit.   The Philadelphia Museum of Art has put together an exhibition book which you can order here.  There’s also a real interesting out-of-print book on the Art to Wear movement,  Art to Wear by Julie Schafler Dale.  You can order a used copy here.  Julie Shafler Dale ran a gallery in Manhattan for a number of years that was known for showcasing innovative crafts and new craft mediums (including polymer) before they made their way into the mainstream.  The Julie Artisans Gallery  is closed now, but you can read about it here.  You can read about the Levis Art Denim Contest  and see the winning entries  here.   If you would like more information on Off the Wall: American Art to Wear, click  here and here and here.

 

Creativity in the Time of Coronavirus

Most of us are stuck at home and the more fortunate of us are merely apprehensive or bored. Not knowing what’s going to happen is a scary, but think about it-when did we ever know what the future held?  And if we did, who among us is smart enough to know what to do with it?  With brings me to today’s question:

Should we wear face masks to protect ourselves from the coronavirus?  Here’s one point of view.  Here’s the other.   This link goes to an article that says that DIY face masks can offer protection from coronavirus.  I am not prepared to debate this with anyone because I simply don’t know the answer.  I have resolved this question for myself with an “off label” application of Pascal’s wager.   I  know that wearing a face mask does not offer immunity or an excuse to dispense with hand washing, etc.  But if you are already taking all the precautions you can, how can it hurt?  That leaves the question of where to get face masks.  They have become a precious commodity.

I already have some N 95 respirators that I use for enameling and metalwork.  But you can’t wash them and they say to throw them away after one use.  Who knows how long the pandemic will last?  I need a better face mask option.   For me, the option is to make some face masks.  Will they offer any protection?   As you can see from the chart below,   certain materials offer more protection than others.

mask-materials-effectiveness-1-micron-en

I don’t have many vacuum cleaner bags, but I have many dish towels (a more accurate description would be old fashioned tea towels-a closely woven cotton fabric made for drying dishes and glass ware).  Here is a link to the kind of tea towels you would use to make face masks.  I would not use terrycloth or micro fiber.  You have to breathe while you wear the mask.

There are many sites with directions for sewing face masks.  Most of them use two or three layers of material.  The tea towel fabric is tightly woven, however, so you will have to adapt any pattern you use to make it work for you.  A single layer with a thin cotton fabric as a liner might be best.  I plan to experiment.

Here are some links if you are interested in making face masks.

CraftPassion

Medical Mask for cancer or COPD patient (including child’s masks)

 

Hand-sewn mask

And here is some helpful advice from Ana Belchi

 

Since I wrote this post a couple of weeks ago, the CDC has changed its no face mask position.  The CDC now advises that wearing non-medical grade face masks might help to prevent the spread of the coronavirus.  For instructions on how to make a no-sew face mask, press here.

 

What Inspires You? Cat Pottery

I’m back from Clayathon with too much to do today so this week’s post will be short. What inspires you?  I am not ashamed to say that my cat Boris (and animals in general) is a big source of inspiration for my pottery.

Boris I’ve started throwing again after a hiatus because of thumb problems.  And I like to draw on the pottery which is white earthenware clay.  Here are some small bowls that came out of the kiln this week.

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We have sponge eating monsters  in our pottery studio, so I marked my cleanup sponge accordingly:

 

Screenshot_2020-02-26 Martha Aleo on Instagram “Theft prevention in the pottery studio #humor #donttakemysponge #potteryand[...]
Remember this is a joke.  Just don’t walk off with my cleanup sponge!
 

Where Do You Get Your Inspiration?

 

I was  going to write a post a few months ago about a wonderful visit I made in July 2019 to the University of Pennsylvania Museum of Archeology and Anthropology. But one thing led to another as it usually does. The Penn Museum post went into the drafts folder and I went on to other things. I recently returned from Southern Spain(Seville and Granada)where I was overloaded with Spanish Baroque interiors. They are beautiful, but after awhile, you feel like you’ve eaten too much birthday cake. (At least I did).

 

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Catedral de Granada, Santa Iglesia Catedral Metropolitana de la Encarnación de Granada

“Where do you get your inspiration?” is a question I sometimes hear. And while I will not be making a Spanish Baroque wedding cake any time soon, I find inspiration pretty much everywhere.  Which brings me back to the Penn Museum.  There is certainly enough to inspire anyone who spends an afternoon (or better, the whole day) there.

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Koi Pond

The Mesopotamian jewelry collection is outstanding.  Here are some pictures, but it’s better to see the collection in person.  Royal Tombs of UrUr Headdress

The Near Eastern pottery collection is also very interesting.  These pots are from Iran.

I was so taken with the pot shaped like an Erlenmeyer flask  that I decided to make my own version using the tar paper technique,   Here’s where memory and inspiration clash: I remembered the shape upside down.

3d6efd914115433b5fe2ff5655a7a570There’s a picture of the finished version in this post.  The pot was auctioned off at Clayathon  and went home with a (I hope) happy person.

But I think I love the Mexico and Central American collection best because it contains some striking Mayan artifacts as well as jewelry and pottery.

I love that turtle (I think) vessel and could see myself trying a colorful terra cotta version.

Where do you get your inspiration?

Peyote Triangle Patterns for Dummies

I start off with a confession. I am horrible at following patterns. I am not making this up. OK, I can follow sewing patterns because they are all flat on the table and you have a basic idea of what you are supposed to come out with. But I could never pull off a paint-by-number picture when I was a kid and my first attempts at origami went into the trash can.  I can, for the most part,  follow simple beading patterns.  (In fact, one of my first published articles was a beading project.)  But unless I can count beads easily, I am lost.  This means I am mostly ok with loom graphs, Cellini Spirals, bead crochet and  flat peyote graphs.  So I learned how to make a peyote triangle with little trouble.

When I began to salivate over  beaded kaleidocycles, (you can read all about them and download a free pdf  from the Contemporary Geometric Beadwork website here) and wanted to try making one,  I hopped over to YouTube to learn how to make peyote triangles. ( VPBiser has an excellent video tutorial here.)  But for the life of me I could not figure out how to make anything more interesting than a two-color basic  triangle and I wanted some more exciting variations for my kaleidocycles.

After making a few peyote triangles, I began to notice some patterns emerging.   I figured out how to make a three-color pyramid! (See chart below.  I am assuming you already know how to make a standard peyote triangle).

tricolortrianglediagram

 

You can use the same reasoning to make a two-color pyramid.  If you simply alternate colors for each row, you can make a striped pattern.(See kaleidocycle picture in the bottom row.

 

 

 

You can see that for some triangles, I merely beaded rows in different colors much like you would crochet granny squares.    For the  triangles in the  bottom left-hand corner,  I started the triangle with white Delicas for the first two rows and began adding red Delicas in the third row.  From then on,  I added a red Delica whenever I could see that it would be totally surrounded by white Delicas.  This gave me a lovely chicken pox pattern.   If you double click on an image, you can view it full size.

I realize this might not be clear to some people, but the real aim of this post is to encourage you to find new ways to solve problems even if you think they’re over your head.  That’s the only way we learn.  Now that these peyote triangles make more sense to me, I think I’m ready to start tackling some more complex designs.

The Atlas of Tomorrow

The Atlas of Tomorrow is an interactive art installation located on South Street between Broad and Thirteenth Streets in Philadelphia.   I’ve never seen anything quite like it.

This is how it works:

Instructions
The Instructions

Wheel
The Dial

StreetView
Numbered Stories Posted on the Wall

 

TheWish
The Story the Pointer Selected for Me After I Spun It.

Mural

Credits

 

 

Consider Contemplate

 

To learn more about The Atlas of Tomorrow, press here.  To learn more about Candy Chang, press here.  To learn more about the Philadelphia Mural Art Program, press here.

October is Mural Arts Month