I continue to experiment with making polymer earrings. Why earrings? I know that seemingly everyone went on a polymer clay making earring bender during the pandemic lockdown. YouTube is full of tutorials on how to make and sell them. There are Facebook groups dedicated to polymer clay earrings (including this group which I belong to), and a myriad of earring sellers on Etsy. But that’s not why I chose to start making earrings. I chose to focus on earrings (for now) because they’re small projects, I can move from project to project quickly, and I can try new things as soon as ideas jump into my head.
And I haven’t really been making earrings. What I’ve been doing is making components and shapes.
See all the shapes I’ve been collecting? Some of them might even find their way into earrings one of these days.
Here’s one of my favorite tools: a hair curler that Susan Gross gave me at a Clayathon. It’s great for texturing the back of earrings.
For now, I am designing new shapes with Vectornator, and cutting out templates on my Silhouette Portrait 3. I want to stay away from cutters except for basic shapes I can alter. I am trying to make something unique. I have succeeded in making plenty of duds but I am making progress slowly.
I’ve also been working on my craftsmanship and slowing down. And making a LOT of pieces. Practice really does make better. A few years ago, I designed this necklace for Step by Step Wire Magazine. It took 10 feet of wire and someone remarked that I was very good at making those coils. I replied that if I didn’t start off that way, I was certainly good at it by the time I finished the necklace. You’d be surprised at how good you get when you do something over and over.
People always say that it’s easier to smooth out the boo boo’s in polymer before you bake. Well, yes and no. The key is touching the clay as little as possible to get the effect you want. And that takes practice. The right tools help, but a tool will not automatically make you a better crafter unless you know how to use it. And that takes practice. Didn’t I just say that?
Another thing I learned is that UV resin, as beautiful as it can be, can’t make up for bad craftsmanship. Ask me how I know.
And with earrings, you can get the shape and the color, and you still have to decide how to hang it from the ear. Kathleen Dustin says that the ear wire should be an integral part of the design or totally invisible. Beading Yoda agrees. I like to make my own findings so I can try different alternatives and see what works.
At the rate I’m going, I wonder if I am going to have any of my own teeth left when I finally produce a well-designed, well-crafted pair of earrings. We’ll see.