Dolores Poacelli: No Relationship without Tension

I was at Art in the Open walking by the Schuylkill toward the Waterworks when I saw a woman working on this interesting piece

“How cool,”  I thought.  I went to get a closer look. . .

and met the artist,  Dolores Poacelli.   She told me the piece was composed of discarded aluminum printers plates she found in the trash.  “I’m a dumpster diver,” she said, ” and my studio is in the Italian Market.”  That’s all I had to hear to feel a connection.   But there was something else that attracted me to her work.  What?

Dolores on the right explains her process to Jeri

  The unifying factor in her body of work is an ongoing exploration of the relationship between color, shape, texture, space and tension.   Her exploration of these elements, while subtle and nuanced,  animates the  monochromatic  piece  and makes it interesting. Want to see more?  Her web site is full of  compositions  where she studies these relationships in metal, paper, collage, paint and mixed media.  Take a look!  Press here to see more of Poacelli’s work.

 Wooden Sculpture by Dolores Poacelli on the banks of the Schuylkill

 

Art in the Open: Brian Dennis

When my friend Jeri told me that her friend Brian was participating in the second Philadelphia Art in the Open, which  took place  on June 9-12, 2011,  I was itching to go. I had never seen one of his installations “in person” before, but I had seen The Brian Dennis Project – a film documenting  how he designed a wooden installation  that seemed to defy gravity and then built it on a staircase inside the Philadelphia Art Alliance in 2004.   (To see pictures of  the installation, “Leaning Keep,” press here.)

Art in the Open aims to  give a different perspective on the creative process by inviting the public to watch artists working outdoors and, consequently, enabling artists to draw inspiration directly the environment.  In Philadelphia, this is an urban environment.  So it seemed appropriate that Brian had decided to build giant towers under a bridge near the  Waterworks.   

On our drive there, Jeri told me that Brian built the towers from  wooden coffee stirrers.   Talk about the environment having an effect on the creative process!  We wondered how the towers had withstood thunderstorms the night before.  Were they still there?  What would they look like?

We met Brian standing in front of his installation answering people’s questions and talking  about the challenges of building an art installation on a steep, rocky incline under a bridge trestle during a heat wave.  But he wasn’t alone; he  explained good naturedly  how a family of   baby rats, a  garter snake and a  suspicious groundhog watched his every move.  And take it from me, Philadelphia groundhogs are tough!  Brian knew enough not to mess with the groundhog (he was on the groundhog’s turf, after all) and he completed the installation.    To see the installation as it looked when Brian finished it, press here

But then it rained and the installation took on a different form.  Not what Brian had planned.  Even so, his installation  caught the attention of everyone who passed by the next day.

Here are some pictures.  

And a couple who had just gotten married had the courage to climb up under the bridge to have some wedding photographs taken next to Brian’s creation.  I wonder if the rats, snake and groundhog minded?

 To go to Brian’s web site, press here.    To go to his blog, which contains in-depth information about the creation of the installation, press here.