What a Faberge Egg Can Teach Us About the Value of Polymer Art

What characteristics might a Faberge Egg share with a work of finely-crafted polymer by an artist of the caliber of Ford and Forlano, Jeff Dever, Kathleen Dustin, or Dan Cormier? Much more than you think as it turns out.

We consider some things to be intrinsically valuable. Many people think that gold, for instance, is intrinsically valuable because it has been prized since ancient times. Others argue that gold’s value is a social convention, and that there’s nothing about the nature of the material that makes it any more or less desirable than, say, silver or granite. I’m not going to argue the point here.

But I do have another point to make. A few years ago, an unidentified man bought a golden ornament at a jumble sale. He knew the item was genuine gold, and he was hoping to sell it for scrap and make a $500.00 profit. And, had the ornament been sold for scrap, the man would have gotten a respectable return on his original investment, and would have walked away with a few hundred dollars. Because that’s what the materials in the tiny gold ornament were worth.

Only the ornament was a genuine Faberge egg, which the man discovered when he typed the word “egg,” and the letters inscribed on the tiny clock housed inside the egg, into Google on his computer. Of course, he had to have an expert evaluate the egg, but in the end it was, in fact, a genuine Faberge egg that had been missing for years. It was worth millions. Or, at least, that is what the appraisers predicted someone was likely to pay for it. You can read the whole story here.

Antiques expert Kieran McCarthy, who evaluated the egg, had this to say:

“[The man] didn’t look upon [the egg as] a work of art at all. He saw that it was pretty and it was nice, but he was buying on intrinsic value. … The essence of Faberge’s work is craftsmanship. It’s the beauty of design and the conceiving of that object. . .This is what that object is about, this craftsmanship and demonstration of skill. If you’re not looking for it, you won’t see it.

The man knew nothing about antiques or fine craftsmanship. He estimated the value of the egg’s materials correctly, but vastly “underestimated its value as a work of art.”

Which brings me back to polymer. Yes, polymer is only plastic. It is what the artist (like those mentioned above and many others) brings to it that gives it value. So the next time someone devalues polymer work because it’s “just polymer,” don’t whine about it. Tell them the story of the Faberge egg. And then tell it to yourself, and work on your craftsmanship.

Polymer at PMA Craft Show 2022

I got my first real look at polymer back in the stone age at the Philadelphia Craft Show at the 23rd Street Armory in Philadelphia. That’s where I first saw the the work of City Zen Cane. I bought two pairs of earrings at their booth: a pair for me which I still have, and a pair for my mother-in-law. She later confessed that she lost one earring and was so upset, she threw away the other one. That’s alright. I got her son.

I joined my friend Patty for the 46th annual Philadelphia Museum of Art Contemporary Craft Show at the Philadelphia Convention Center recently. The show was less crowded than I remember it, probably because of the pandemic, and it was easy to take pictures of work with your cell phone. But there’s a danger in doing that. If you want to remember something, you’re much better off going to the artists’ websites, and everyone has one nowadays. They pay a lot of money to have their work professionally photographed in the best possible light. Still, I could not resist taking some pictures of the venue itself

City Zen Cane, now known as Ford and Forlano, were at the craft show this year with their distinctive work that has evolved greatly from their early days.

But this year’s show will be their last one. Now, we’ve all heard things like this before. How many farewell tours has Cher and The Who had? Don’t even mention Tom Brady. Still, there’s a lot more money to be made from stadium rock concerts and professional football than polymer clay, no matter how innovative and visionary it is. I am sure their work will still be available on their web site.

I had never met Wiwat Kamolpornwijit, but he proved to be a friendly and affable guy who loved to talk about his work. He looked like he was having a good show. Go to his website to take a look at his jewelry.

I have admired Genevieve Williamson‘s work for years. I love her muted and understated palate and her commitment to recycling clay and materials. Great earring cards!

Follow Genevieve on Instagram here.

Last but not least is Bonnie Bishoff, who was showing work with her husband and collaborator J.M. Syron. Bonnie will be this year’s guest artist at Clayathon.

Check out their website here and Instagram feed here. Drop me a message in the comments section if you want to learn more about Clayathon.

Joyous Disruption This Saturday

We all need a little disruption now and then, otherwise it’s easy to get into a rut. I had a successful day at Handmade X El Mercado Cultural last week (and did some shopping there too. It’s always great to support your fellow artists), and thought I was through for the season. I don’t do a lot of shows.
But then, I was invited to participate in a community event called Joyous Disruption, sponsored by the DaVinci Art Alliance. They’ll have food, music, performances and dancing as well as artisis showing their crafts. How can you go wrong?

I’ll have little porcelain bowls, and some polymer and ceramic jewelry.

The event is free. If you live nearby, I hope to see you there!

Handmade x El Mercado Cultural

I will be joining the Open Studio Potters selling my handmade pottery and ceramic jewelry at Fleisher Art Memorial’s annual holiday handmade gift show on December 3.

Earrings galore made from ceramic porcelain clay

A selection of porcelain clay pendants paired with different metals and upcycled jewelry parts

Tiny ring bowls and vessels suitable for storing your baubles

Lots of one of kind earthenware mugs decorated with my handmade silk screens and stencils. There’s something for everyone. For more information on this year’s show and a complete list of artists, press here.

School Pictures at the Wilma Theater

I am interrupting my regularly-planned blog posts to post a review of a play I saw this week at the Wilma Theater called School Pictures. It’s unlike anything I have ever seen: a one person performance by playwright Milo Cramer, who portrays a number of middle-school students they worked with as a private tutor in the City of New York before the pandemic. To take on all these parts in one play is quite an undertaking, but there’s more. Cramer sings all the parts in a high-pitched voice while accompanying themself on various musical instruments: a ukulele, a toy piano, a regular piano, and a portable organ. Sometimes they sit on the floor. Sometimes they sit on a chair. The set is sparse, an almost bare stage with minimal props.

Sound weird or tedious? It’s not. Cramer’s performance is engaging, well-paced, and entertaining. Nothing drags. You get drawn in to the personal stories of the students which are a combination of comedic, poignant, sad and illuminating.

Towards the end the play, Cramer wheels a tall blackboard onto the stage and resumes the role of teacher, instructing the audience about the institutional inequalities that plague the New York school system. There’s no preaching. Cramer’s arguments are all the more compelling because they engage in a dialogue with the audience, and lets everyone draw their own conclusions.

School Pictures will be at the Wilma Theater until November 20.

Philly on a Fall Day

Halloween is over. The Phillies won’t be going to the World Series. We have reset our clocks. This means the Fall season is upon us. I don’t think a lot of people really liked the paintings of dead rats that I posted last week, but I always suspected there was a reason that I never had a future as a highly-paid blogger and influencer. No matter.

One of my favorite activities is walking through the different neighborhoods of Philadelphia. This week was the ideal time for it. As always, I take pictures on the way.

Swann Fountain. I always thought it was called Swann Fountain because of the Swans. Come to find out, that’s Alexander S. Calder’s pun. The fountain is a memorial to Dr. Wilson Cary Swann, founder of the Philadelphia Fountain Society. Those Calders were full of jokes. Read this about Alexander Milne Calder’s joke on Philadelphia from the top of City Hall.

Speaking of City Hall,

Here’s a shot of City Hall Tower from inside the courtyard. Billy Penn is up there making mischief, but you can’t see him in this shot.

And here’s a picture of City Hall Courtyard with a repainted compass and map of the original City of Philadelphia in the center.

Here’s the recently-installed I Heart Philly sign in Love Park. The heart was originally bare. Now, it’s covered with stickers of flags from around the world along with messages from people who have stopped by.

And what would a visit to Philadelphia be without stopping at the Love Statue? Except there’s something fishy about the above photograph. You probably can’t tell what unless you’re from Philadelphia. Maybe even then you can’t.

Here’s another shot which reveals the answer. The Love Statue sits at the start of the Parkway looking northwest towards the Philadelphia Museum of art. The picture that shows it with Philadelphia City Hall in the background has been flipped around. Which is why you should remember that things aren’t always what they seem.

Phoebe Murer at POST

I know mixed media artist, cartoonist, painter and printmaker Phoebe Murer from Fleisher Art Memorial where we both serve on the student advisory committee. So I jumped at the chance last month to tour her studio which was on this year’s Philadelphia Open Studio Tour, sponsored by CEVA, the Center for Emerging Visual Artists.

Phoebe’s work can be startling for those expecting portraits, still lifes and studies. Yes, there are some of those because she is a formally-trained artist. But, as a self-described person “on the spectrum,” she has had to navigate the sometimes brutal institutions and bureaucracies that occasionally seem to do their utmost to suck whatever is unique and creative out of us. If you are not on the spectrum, but are even a little bit different, you surely know what I’m talking about.

Phoebe takes these experiences and makes art out of them. She uses conventional art materials and mixes in a healthy amount of wit, humor, truth, love, and perspective. The emotional kind.

A self portrait

More Self Portraits

I learned that when Phoebe was in high school, she made a collage at the end of each year. Later, she made paintings of some of the collages

Phoebe keeps rats as pets, and they are very important in her life. (Before meeting Phoebe’s friends, the only rats I had ever met were in my kitchen late at night, or in the crawl space beneath my old house. ) She has a little rat cemetery behind her house and paints a sleeping beauty portrait of each furry friend after they die. Rats live about six years, so there have been many rats in Phoebe’s life.

A “mask-ini” rendering of an imaginary bikini made from COVID masks. A humorous reaction to the difficulties mask wearing can cause for some on the spectrum

Screen prints

Water scene.

To see more of Phoebe’s work, go to her website here, and her Instagram feed here. Read an article on Phoebe’s work at Fleisher Art Memorial here.

Some words about this year’s POST tours.

I didn’t go to many other art studios this year. Why? Read on. The way POST works is that art studios in certain neighborhoods, like South Philadelphia or West Philadelphia, are open to the public on a given weekend day. In the past, CEVA provided easy access to the addresses of art studios that were participating on a given date. So if I wanted to visit several studios that were participating on, say, October 15 in South Philadelphia, I could find their addresses together on a list and plan my route.

This year, CEVA provided a link to a poorly-designed interactive map which was extremely cumbersome to use on your phone. I was not the only person who had this problem. There were brochures that listed the addresses of which studios were open on a given date by area, but they were scarce to the point of non-existence, (although someone at a South Philly studio cheerfully told us we could pick up copies at CEVA’s office in Rittenhouse Square, a mile and a half away. )

There were booklets that gave the addresses of the studios, but these were listed in alphabetical order by name of the artist and not grouped by date or part of the city. The QR code in the booklet inexplicably took you to the same thing. It should have taken you to a downloadable PDF with the addresses for each studio participating in each neighborhood on a given day. I truly hope CEVA does better next year. POST is a wonderful program.