Inspiration Makes a Clasp

I haven’t been making much jewelry lately, but when I do, it always comes back to clasps. I love clasps that are elegant, simple to use, and reliable. I don’t like to struggle to put on and take off a piece of jewelry and I dislike losing it even more. A good clasp doesn’t call attention to itself because it is part of the design. By that, I mean it doesn’t stick out like someone who crashed the party. Even if it functions as the focal in a piece, it should be a working part of the design.

Sometimes, I start a piece and then consider what the clasp should be. Sometimes I start with the clasp and build the piece around it. And sometimes, someone’s else’s jewelry inspires me to create something new. The following necklace is a case in point.

This necklace belonged to my mother-in-law who loved midcentury modern studio jewelry. I think it’s made of onyx and it’s got a lot of heft. The beads are about 25 mm and the necklace is about 18″ long including the clasp. I think the clasp is the best part of the necklace.

The clasp is silver. Note that the open ring to the left it slightly open and ajar. The closed ring slips right onto it. You can put on the necklace with your eyes closed. The weight of the beads pulls in a manner that the open part of the clasp remains on top so the necklace is secure.

Here’s my take on this clasp with a polymer necklace.

Again, I have very big beads. In fact, most of them are bigger than the beads in the onyx necklace. Except they aren’t heavy because they’re hollow. Can you see the clasp? It’s on the right above the red round bead.

The polymer beads are strung on 16 gauge dark annealed steel wire and connected with loops. The back of the choker-length necklace is 16 gauge wire which works because the beads are so light that it doesn’t bite into the neck. This piece of wire is permanently fastened on one side of the necklace and finished with a tiny hook on the other side that slips into the loop coming out of the round red bead. The opening on the hook points to the side and holds the necklace closed and secure.

Here’s a picture of the polymer choker. The wire is rigid enough to hold the beads in place but not so rigid that it’s stiff. The onyx necklace keeps its shape by virtue of the weight of its beads. It’s a heavy necklace and not everyone would feel comfortable in it. My mother-in-law was not too concerned with the comfort of what she wore, as long as it was fashionable. But the clasp is very comfortable and makes up for the weight of the beads.

And here’s a picture of the polymer choker with the onyx choker. As you can see, they are about the same size.

And a New Twist (for me) on Polymer

As the Irish playwright so aptly said, “The world is in a state of chassis.” I won’t go into it all-I am sure you know what I mean. I won’t say that WordPress has made it any better by choosing this time to introduce a new blog post editor. But I try to maintain a sense of perspective. I once shared a house with an older woman, and the night I moved in, I asked her whether there was a washer and dryer we could use. “No,” she replied, “but I lived Second World War in Soviet Union and believe me, you can get used to anything.” Hard to argue with that.

Fleisher Art Memorial‘s pottery studio will be reopening soon with new rules and procedures to keep us safe during the pandemic. And I am working with an incredible team of people to plan a virtual Clayathon for February, 2021. In the meantime, I am participating in the Southern Connecticut Polymer Clay Guild‘s online caning challenges and design challenges. Caning creates a lot of scraps. So I decided to use them and try my hand at making Torpedo beads.

You normally think of earrings when you think of Torpedo beads, so that’s where I started out. But then I decided to branch out and to incorporate non-polymer elements into the designs. I spent a lot of time last summer making fabric jewelry, and I had some gorgeous, vintage rayon embroidery floss in bright colors that was singing out to me. I used this to attach Torpedo beads to one another with the help of screw eyes.

It’s a bit tricky to knot the slick rayon floss securely, but I think I managed to do it with reinforced Surgeon’s knots.

Here are some more variations. And as I make more canes for the challenges, I’ll have more scraps to try. I’m also going to try some other fibers to attach the beads to each other. The sky’s the limit. And maybe I will even learn how to use this confounded block editor!

Connecting with Beads

My friend Gladys Glass operates  the Woodstock Trading Company with her son Seth and husband Harvey.  Woodstock specializes in vintage one-of-a-kind Rock ‘n Roll memorabilia.  and Rock ‘n Roll oriented gifts, clothing, incense, posters and novelties.  (Their store is closed because of the Coronavirus, but you can shop on line.  They ship anywhere in the US. )

For years,  the spacious lawn in front of  Woodstock’s  colorful psychedelic storefront in Cherry Hill, New Jersey was a gathering place for people to enjoy live concerts,  Maypole Celebrations, and Drum Circles.

 

Until the coronavirus stopped all that.   It’s been hard not just for business, but also because of the loss of social interaction that people really need.

Gladys  was recently commiserating with her friend Suzanne about how difficult the isolation and social distancing can be, and suggested  the idea of stringing beads of “hope” to mark the days in isolation.  She thought that sharing  the beaded creations with like-minded people  would be a good way to stay connected.     A few days later, Suzanne  called Gladys back to tell her she and her friend Galen had created a web site so people could do just that.  It’s  called Safe-String.Com.

Safe-String.com is a free site whose purpose is to help its users “navigate stress, panic, raw nerves, uncertainty, and loss during one of the most challenging episodes in human history.”  And it uses beads to connect people to one another.

The Safe-String.com site offers a forum where its users can share their creations and ideas.  The forum topics are not limited to beading.  One asks, “What expectations of normal are you letting go of today?”   Another asks, “Who have you checked in on today?”

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If you are interested in joining the forums but need beads, you can  buy a kit  from Woodstock which contains  31 random beads, spacers, string, and  ending finial as an ornamental bead stopper.  Also included as a bonus is a hand-painted card, gift bag, and instructions.

But you don’t need to buy a thing to participate in safe-string.com  or to join the forums.   You can make beads  from cloth.  You can make beads from paper and old magazines.  And you can string anything with a hole it it.

Stay well and keep washing those hands.

 

 

 

 

 

 

 

Tesla Necklace with a Nod to Cynthia

I love big beads.  Big hollow beads.  Doesn’t matter whether they’re made of glass, metal or polymer.    Maybe because it’s a challenge to figure out how to make them and probably because people are always surprised at how light they are.   And I have made a boatload of hollow beads over the years.  

Which brings me to last week when I brought a strand of big polymer beads into the pottery studio and someone was interested in buying it which was a problem because it was only temporarily strung and I had not figured out an appropriate clasp.  But it got me thinking.  

I have always admired the perfectly integrated polymer covered barrel bead clasps on Ford and Forlano’s big bead necklaces.  I wanted to make an integrated clasp myself but I did not want to use barrel bead – I wanted to use a hidden magnetic clasp.  Which brought up two problems.  First, it would have to be a very strong magnet. Big hollow bead necklaces still have some heft after all. And you cannot bake a magnet without diminishing its magnetic properties.   People used to bake their magnet clasps all time time. But we have learned that  baking weakens the magnets.

So I had to find a strong magnet and a way to integrate it into polymer bead halves without baking.  I was surprised to learn that there was a paucity of information on using magnets and polymer clasps.  I mean there are some old tutorials that instruct you to bake the magnet into the clay but as we have discovered, that’s a no-no.  

Then I discovered Mag-Lok magnets and found this video  from Cynthia Tinapple.  I put my own twist on Cynthia’s technique and  made a necklace with the Tesla beads and a magnetic clasp.   How very appropriate. 

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I will share how I make hollow polymer beads and magnet clasps at the next meeting of the Philadelphia Area Polymer Clay Guild.   Thank you Nikola Tesla and Cynthia Tinapple!

 

 

 

 

 

 

 

 

 

 

Trinkets and Some Bowls to Hold Them

It’s not like I don’t already have enough beads, but having access to a pottery studio, glazes and a bead tree has made new beads magically appear in my workshop.  The items you see below are pendants and a couple of bead comes.

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Here are some beads in their greenware state and decorated state  after bisque firing and prior to glaze firing.

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And if bead making was not enough, I been making  little trinket bowls to hold rings and other small treasures.

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I am having fun with different glazes and textures, and finishes.

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And I have also been having fun making components for the Into the Forest  collaborative polymer clay project.

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