A Trip Down Memory Lane in Polymer Bracelets.

The other day, I pulled the bracelets pictured below out of a cabinet in my workshop (where they have been gathering dust since before I started blogging, some time back in the Mesozoic era.) I realized that most of the teachers and artists who inspired the pieces might not be that well known today. So I’ve included some links in case anyone is interested in checking out artists like Tory Hughes or Gwen Gibson, or any of the other polymer pioneers no longer with us.

Sources: Chris Dupouy Creating Your Own Antique Jewelry: Taking Inspiration from Great Museums Around the World, Gwen Gibson, Tory Hughes, Polymer – The Chameleon Clay, Margaret Regan, Pier Voulkos

There’s no better source for the history of polymer clay art than the Polymer Art Archive.

.

Bronze and Steel Bracelets

I’ve been fooling around with annealed steel wire. I love the look of oxidized silver paired with gold, but it’s too expensive. So I’ve been experimenting with dark annealed steel wire and bronze for the same look. Aside from  Brenda Schweder’s book Steel Wire Jewelry Techniques and Inspiration, there’s not a lot of guidance on working with dark annealed steel wire.

16 gauge ferrous wire is much thicker than 16 gauge copper wire

One thing I learned the hard way: your basic AWG wire gauge, the kind we typically buy when we start to work with wire, measures non-ferrous wire only. Metal gauges are different for ferrous and non-ferrous wire. That means the gauge you use to measure silver and copper won’t give you an accurate reading for dark annealed steel wire which will mean trouble if you order online. You can buy a ferrous metal gauge here.

I’ve been fooling around with bronze metal clay for a while. It looks good incorporated with dark annealed steel wire ( I’ve used 16 gauge here, which is as thick as 14 gauge copper wire and very stiff.) I’ve experimented with chains, but bracelets are fun to make because they are limited projects and a good way to try out a technique before you attempt something more elaborate. I learned that you can solder the wire, thanks to Brenda Schweder’s great video on Facebook. I don’t try to soften or anneal the wire, but I’m learning how to move and shape it without damaging my tools or hands. I’m learning as I go along. Here are some pictures.

New Work from the Beading Yoda

I dropped in on my friend and neighbor Jeri Schatz (AKA Beading Yoda) to show her the rings I have been making and to get some tips and constructive criticism.   (Jeri studied goldsmithing at the Kulicke-Stark Academy in New York and served an apprenticeship there before she moved to Philadelphia and began beading.)  After we were finished, I asked her t what she was working on, and she took down to beading central so I could see for myself.

 

BeadingTable

The Beading Table

BeadedBeads

Beaded Beads

Bracelets

Bracelets

DuoandRAW

Super Duos combined with seed beads

Multi-layered Geometric Bracelet

Hands

 

InProgress

New  necklace design

 

LacyBracelet

A geometric bracelet that moves wonderfully when you wear it.

Sampling

Geometric, Herringbone, and Peyote

Sampling2

More bracelets with Super Duo beads, triangles, bars and seed beads.

A New Twist on Viking Knit!

One aspect of creativity is combining ideas.   Finding new ways to use and combine materials is another one.   I have been interested in Viking Knit for some time and between experimenting with alternative ways to do it and alternative tools to make it,  I came up with some new ideas to give single weave Viking Knit a new look.

Cloth, Fabric

I found this beautiful fabric on a discarded window treatment. This is what it looked like after I washed and dried it. The blued and coppery hues reminded me of the copper wire I use in Viking Knit. And I love the contrasting look you get with using ribbon with stones or metal.    

Viking Knit 5 sided

Why not thread some of this luminous looking fabric through the Viking Knit?  

viking knit chain and fabric

Ok, the first thing I learned is that you do not, I repeat do not pull the chain through the draw plate before you thread the fabric through- do it before.  Just make sure the  fabric or ribbon is long enough to fill the length of the knit after its final pull through the draw plate.     The fabric does not make the chain any thicker or harder to pull.

Closeup

I’ve used 24 gauge copper here.  See the fabric inside?  I  don’t recommend using fabric inside of  double or triple weave because you really won’t see it.    Besides, double or triple weave is beautiful on its own.    

So, what can you do with your ribbon filled Viking Knit?  Here are some ideas.  Run with them.

image

This is a necklace that I’ve finished with bands of flat copper wire run through a rolling mill.

image

I braided the ends of the wire.  The ends are purposefully left raw and unfinished for a funky look which might not be for you.  

image

These pictures are of a Viking Knit that’s around 20 inches long (excluding fabric ties) that I’ve made into a multi-strand bracelet for a  funky bohemian look.

image

You can try different fabrics, add beads, finish the ends however you want- the sky’s the limit.  Make something that looks different from what everyone else is doing! Play and have fun.

 

Felted Jewelry and Beads.

I had said in an earlier post that I had been in a felting frenzy. I made a few felted Christmas ornaments.  Here are some of the beads and jewelry I’ve been working on.

This bracelet incorporates my polymer clay and lamp work with the felted beads.

 

The bangle on the left is needle felted and for the one on the right, I sewed needle felted beads onto a ready-made felt bangle.

 

Needle felted bangles

 

Some needle felted beads

 

Earrings.  Felted earrings are so light!

 

I prefer needle felting to wet felting although for the bracelets, after I needle felt the wool onto the core rope, I like to give it a bath in hot soapy water and work it so it’s more durable.  I am experimenting with needle felting  bracelet and bead cores from polyester fiberfill (cheaper)  and using the more expensive  colored roving over them.  I have also needle felted undyed  (cheaper)  roving over the fiberfill and then have dyed the beads (you can use food coloring and vinegar) before drying and embellishing.  I have just started  cutting tiny simple designs out of craft felt and needle felting it on to the solid bead.  For one thing, you can make lots of felt dots with a paper hole punch and needle felt the dots onto the bead.

There are plenty of felting supply retailers in the Internet.  Don’t forget Etsy and eBay.  Check out the Red Barn Farm storefront while you’re on eBay.  If you’re interested in trying felting, they have some supplies that won’t break the bank.

Here is a good beginners video from YouTube.

The Best of Step By Step Beads

I got a nice surprise this week when I learned that  my Tokyo Rows beaded bracelet project made it into Interweave’s  collector’s edition of  The Best of Step By Step Beads.


The Japanese Flower motif is not original with me but I love it because it lends itself to so many variations.   It’s easy to take one flower and make a simple pendant, and that’s just one example.

Here are some brooches based on the same motif

I once thought that  Japanese bead work made the most interesting use of the beaded flower until  I saw some stunning Brazilian pieces using this motif when I visited Rio De Janeiro a few years ago.  Here is one of the bracelets I bought there, that’s a variation of the design.

With forty projects, there’s plenty of material in The Best of Step By Step Beads to keep you busy for awhile.  The best part of developing a design, however, is when someone takes it in a new direction.   Triche Osborne ‘s  Candy Wheels Necklace is just one example of how you can take a beading concept and make it your own.

Thank you Interweave!

Bargello Exercise (and Bracelet!)

Here is my take on the Bargello Bead exercise  from Polymer Clay Color Inspirations.     I started the exercise  by picking three three colors from my collage.  Then  I  located them on  a  color scale I’d made to give me some idea of how to mix them.

I made a new batch of my primaries first.  I found I had problems  mixing my magenta,  even though I’ve mixed it countless times!   I had to put in more medium red to get the right color this time.   I think it’s because  I had used my old Premo fuchsia in the batches I’m mixed before,  but the brand spanking new package I used this time came from a different  dye lot.  But I got the color I wanted  by altering the mix a little bit at a time.

Then I   mixed the  orange, green and purple from the collage.  I found I needed more blue to make the purple  in the collage.  I added it bit by bit until my purple resembled the color from the magazine clipping.  The picture below shows the finished purple with a bit of the color I had originally mixed on top of it.


Here are the finished colors.

The object of the exercise is to mix  increasing amounts of mud into your three colors so you can see how it makes the colors shift.  I am leaving out  parts of the exercise, but all the information is in the book.

I got a surprising (to me) result.  Look at the picture below.  The purple in the stripes on the right shows hardly any gradation.  This was a “smack myself on the forehead” moment for me, as I remembered that darker colors shift less that lighter ones.  I added some white to the purple and  made the sheet on the left.  You can see the purple color shift in that one.  Much more interesting.

The next part of the exercise is to slice strips and lay them on a sheet of mud to make patterns.  Here are some examples.

Then I started to make the beads.  You don’t see any here because   my attempts at bargello  beads are now vying for a place in the permanent collection of the Museum of Ugly.  In a moment of inspiration,  however, I grabbed a bracelet blank I bought from Melanie West and made a bargello bracelet instead.

OK, what did I learn?   I got a practical example of the way colors shift and how darker colors shift less.  I also feel a bit empowered because I was able to replicate the colors from the collage and correct color problems.  For me, that is a giant leap forward.

New Products and Old Favorites

A few weeks ago, I wrote about Pardo Clay and Precious Metal Paint from German Company Viva Decor. At the time, no one I knew of in the U.S. carried Precious Metal Paint. It looks like that is going to change. Poly Clay Play has limited quantities now and hopes to have more available for sale in the future.  Check the web site for more information.

pmp
Some Poly Clay Play shipments from Europe were delayed, but will be available as soon as they arrive. Trish Hodgens of Poly Clay Play is taking pre-orders on the large 480 gram (about 1.05 lb.) jars of Pardo Clay for $21.95 each and the small jars 75 gram (2.6 oz) for $4.95 each ($1.00 off the suggested retail price.) For more information, check out the web site or email Trish Hodgens.

No one sells brass or copper bezel wire. If you don’t have a rolling mill to make it, you can make your own from 28 or 30 gauge metal. Even that is hard to find unless you want to do a roof. But I found a supplier!!! The Whimsie Studio carries 6″ X 12″ sheets of 30 gauge copper and brass. The price and shipping were reasonable (even by my cheapskate standards). And the stuff comes pronto.

You don’t need a saw to cut the bezels. I use Fiskars Utility Scissors I bought at Polymer Clay Express. They work like a charm,

fus

except I still can’t cut a straight line. That’s why God made files.


Speaking of files and all sorts of cheap metal working tools, if you are just starting out and don’t want to spend a lot of money, try Harbor Freight. Besides hammers, files, anvils, Helping Hands for $2.99 and other goodies, you can buy stuff, take it home and figure out what to do with it. I used their Body and Fender Set to make bracelets from spoon handles. If you want, but can’t afford a disk cutter, try their Hollow Punch Set and a sturdy hammer. It really works.

I’m a Fool for Faux

I love to make faux beads from polymer clay and have been obsessed with it lately. Here are four of my favorite books. They contain plenty of recipes for making every kind of faux substance you can imagine.

f121f13f14f15

I use a vibratory rock tumbler instead of sanding and I’ve gotten great results. I promise I’ll do a post on it soon.

Beading on the Copacabana

I am so cold! I disagree with T.S. Eliot. February is the cruelest month.   It was 14 today in Philadelphia and I wish I was below the equator where it’s summer now.    The hot sun, the white sands of the Copacabana and some Samba music would be be nice. I always like to buy local bead work and crafts wherever I go. Here is a picture of a bracelet I got on a trip to Rio De Janeiro.

rio
I think I’ll wear it and pretend I’m back on the beach in Rio.

beach-at-sugar-loaf