Some New Polymer Clay Products to Try

People are always asking me what’s the best polymer clay to try, where can I get ideas for polymer clay projects, where can I buy polymer clay, and what are the best polymer clay tutorials?

The best polymer clay for you depends on what you’re using it for. Everyone knows that Sculpey III is soft and not very durable when cured. But it comes in a rainbow of colors. It’s best suited for children’s projects.

Cernit is becoming more popular in the United States and for a good reason. The array of colors are stunning, and it is sturdy and beautiful when cured properly.

Kato Polyclay is known for its strength and ability to hold its shape making it ideal for caning. I’ve used Kato clay in the past with great success. It can be a little challenging to condition, but the results are worth it.

I generally use Premo Sculpey which is durable, flexible, and very strong when properly cured. I blend my own colors, although they do have a large number of colors for people who don’t care to mix their own.

You end up with scrap when you work with polymer. There’s really no such thing as “waste clay” because everything can be used. But sometimes I forget to separate my colors (here’s a video showing how that’s done) and I end up with a lot of mud.

So I was thrilled when Donna Kato announced a new product, Kato Blackout Clay, at Clayathon. (Here’s the video.) Blackout clay turns any color of polymer clay to black. I’m always using black. I was excited!

But was there a problem? Like I said, I use mostly Premo which cures at 275 degrees Fahrenheit. Kato clay cures at 300 degrees Fahrenheit. How would the blended clay hold up if I mixed them together? My friend Patty came over the other week and mixed up a bunch of clay and we tested. Here are the results.

We mixed Kato Blackout clay with Premo. The Kato was 12.5% by size. (I trust Patty on this. She can recite Avogadro’s Law from memory. And it’s been a long time since high school.) She cut out 1 1/2 ” circles of thicknesses ranging from #1 on my Atlas pasta machine (about 1/8″) to #9 (thinnest setting). We baked them on a tile at 275 F for an hour, let them cool, and then I tried to destroy them. I could not.

As you can see, I was able to bend each circle almost in half. I don’t have a picture of the thinnest disc, but believe me, it didn’t break. I don’t recommend you do this with all of your clay, but I wanted to see how well the Premo and Kato Blackout clay worked together. The answer is, “just fine.”

I also tried a little of the Kato Liquid Gold clay. I smeared some on some previously-cured Premo clay and liked the effect.

You can buy Kato Blackout Clay and Kato Liquid Gold here.

Clayathon Online 2022

A lot of planning went into Clayathon 2022. We had an incredible team of volunteers who worked together seamlessly, who supported one another, and made it happen. With registrants exceeding 450 this year, I was concerned about how we would handle them all on a Zoom meeting. But there were no problems. Everything and everyone came together.

The sense of community was palpable. Although most Clayathon registrants came from the United States and Canada, a number of registrants from Russia, who came to us via polymer artists Juliya Laukhina and Olga Guseva, joined us. It seems surreal in light of recent events that less than two weeks ago we were together online sharing tips, techniques, and talking about our personal histories and sources of inspiration.

From Juliya’s presentation
From Olga’s presentation

Donna Kato and Anna Ko of the Van Aken Clay Company dropped by to show off some exciting new products. Their video just went live on YouTube and here’s the link.

Wendy Moore joined us live from Australia where, aided by Kathleen Dustin and Cynthia Tinapple, she educated us on the history of Samunnat in Nepal, which is an organization dedicated to empowering Nepalese women who have experienced violence or abuse to become financially independent. One of the programs Samunnat sponsors is teaching women to make and sell polymer jewelry. You can support this wonderful program by buying some of this jewelry for yourself. More information here.

The Gathering grew out of an interview of polymer artist Debbie Jackson by Cynthia Tinapple after the murder of George Floyd. Debbie issued a call to action and assembled a group of 14 polymer artists, 7 white and 7 black. They met weekly on Zoom to have hard, unflinching conversations about race, society, and the impact it had on their lives and art. In October, 2021, they opened a group show, Truth Be Told, at the Two Villages Art Society Gallery in Contoocook, NH. For the exhibit, each artist chose a word that she felt related to the topics discussed in the conversations and created a piece of polymer art around it.

Several of the Gathering artists joined us online at Clayathon to discuss the exhibit and their contributions to it. It was a moving, challenging presentation.

Syndee’s New Tips and Tricks

We ended Clayathon on a lighter note with an entertaining presentation by Syndee Holt on what’s new on the polymer horizon and what’s trending in general.

I wrote about Loretta Lam’s incredible presentations in last week’s post. If you are interested in purchasing her jewelry or her book on jewelry design (which I heartily recommend,) press here.

Clay Carnival Las Vegas 2011-The Movie

There is so much to see in Las Vegas that I decided to make a video about my Clay Carnival experience rather than write about it.  I hope you enjoy watching!

Canes, Canes and More Canes

I initially tried polymer clay because of its amenability to caning techniques.  I had always loved African Trading Beads and wanted to try my hand at millefore.  No matter what I do with polymer clay, I always find myself coming back to caning.

So when my copy of Donna Kato’s eagerly awaited new book, The Art of Polymer Clay Millefiore Techniques came in the mail, I snuck off and read it from cover to cover.

artpc

You don’t need intricate canes to have a pleasing design. The simple caned necklaces below were inspired by a design I saw in South Africa.  I learned the spiral and jelly roll cane techniques from Donna Kato’s demos and classes.

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Continue reading “Canes, Canes and More Canes”

DVD’s from Kato, Miller and a Calder Article


 

Donna Kato Presents: Tips, Tricks & Techniques for Polymer Clay  is three and a half hours of Donna Kato demonstrating caning, transfers, mica shift, finishing techniques and more. The gals at video night (you know who you are) gave it a five (out of five) pasta machine rating. A bargain at $34.95. To order, press here.

I love everything Sharilyn Miller. (To see my review of her Tribal Treasures video, press here.) I just got finished watching her Ethnic Style Jewelry Workshop video, and all I can say is “Wow!” Another three and one half hours of valuable information on wire working, and instructions for making four bracelets and two necklaces. A steal at $39.95. To order it, Press here.

I wrote about the Alexander Calder Jewelry Exhibit at the Philadelpha Museum of Art in an earlier post. The latest issue of Lapidary Journal Jewelry Artist has an article on Calder’s jewelry well worth reading: “Calder’s Mobile Jewelry” by Cathleen McCarthy.

More Bracelets

Here more results from a bunch of bracelet experiments from about four or five years ago. I made the tile bracelets after watching Gwen Gibson’s bracelet video and the cuff bracelets after taking a class with Donna Kato. I learned the technique for the beads in the pink bracelet in a Margaret Maggio class.

Final Pictures from Synergy

 The View from My Hotel Room

 

  Some of the other things I enjoyed at Synergy were Jana Roberts Benzon’s Dimensions in Polymer Clay workshop, Tim McCreight’s Design Decisions, Good, Better, Best presentation, Blogging workshop with Cynthia TinappleSusan Lomuto, and Alison LeeCraft in America lecture with Art Historian Jo Lauria.    I hear they are already thinking about Synergy 2010. Enjoy the slide show!

 

More Pictures from Synergy

The only problem with claiming that you took more than 300 pictures is that not all of them turn out.   But never mind.  There are some more pictures of old friends and new acquaintances all having a good time at Synergy.   And I still have more to come. But someone is going to have to tell me who that is sitting with Melanie West.  It’s a great picture of Melanie and I forgot who the other gal is!

Philadelphia Area Polymer Clay Guild

I have been a member of the Philadelphia Area Polymer Clay Guild for over ten years.  Joining the Guild is one of the best deals around.

Aside from offering an extensive library of books and videos, clay days, field trips to Polymer Clay Express, and loads of good people ready to enable your clay adiction, the Guild has a twice-yearly newsletter, The Clay News, a Blog, a Flickr site, and our  yearly retreat held in May, Polydelphia.

During the time I have been a member, I have taken guild-sponsored classes with Gwen Gibson, Maggie Maggio, Lindly Haunani, Elise Winters, S.L. Savarick, Donna Kato, Grant Diffendaffer and Dan Cormier and Tracy Holmes.

And don’t forget the Guest Artist Program,  the only one if its kind.    Nationally known artists give classes  on a Saturday to Guild members who  pay tuition.   The  the artist attends the regularly scheduled Sunday Guild meeting and teaches and demonstrates for the entire Guild.  Or maybe the teacher comes to the meeting only, as a guest teacher.  The artist fees come out of member dues and Guild fundraisers.  How cool is that?  To learn more about this great program, click here, and read the story in the September 2007 issue of The Clay News on page 4.

If you want to join us, check out our web site.  Dues are only $30.00 a year.  At that price, how can you afford not to join?