What I Learned in Jane and Richard Salley’s Class This Time

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I am writing this blog post from my cozy kitchen where stew is simmering on the stove and vegetables are roasting in the oven.  This is a new experience for me because I am relaxed.  I am relaxed because I am newly retired and do not have to get up at the crack of dawn each day  to fight the wind and sleet to my office.   I do not have to cram whatever cooking I might choose to do into the nights or weekends.  I can go into my studio and work when I want.  I actually visited Beading Yoda yesterday for conversation and a cup of tea.  (I will share the cache of Huichol beaded  earrings  I got for her in a later post.)  And I am newly-returned from a Jane and Richard Salley metal smithing class I took at the Hacienda Mosaico in Puerto Vallarta, Mexico.

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I learned I could pack lighter and still have everything I need, although I wish I had brought more silver bezel wire.

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I learned how to combine leather and silver to make jewelry! I learned how to make a hinge with a pin closure. I learned that you can drop your focal stone on the brick floor and rescue it with a little epoxy glue. If you can find all the pieces.

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I learned how to set a coin in a bezel and some soldering tricks that will give me a better result the next time I do it.

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I learned how to make this nifty spring-tension clasp!  I will be making more of these and working on design variations.

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I learned that it was possible to saw out a word in brass without feeling like putting a sharp object in my eye.  October 31 is my wedding anniversary so I made this for my husband even though I will have to wear it for him.

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I learned that if you execute a new technique perfectly the first time, it will take you thirty tries to do it again.  Wait,  I think I already knew that.

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I learned some new things to do with Faux Bone and mixed metals.

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I also learned a lot of other stuff including the location of a few liquor stores.  But I dare not reveal everything on this blog.

Many thanks to Jane and Richard and Sam and everyone at Hacienda Mosaico.

Amulets, Talismans, Polymer and Wire

There are two new books that will enhance the library of anyone creative.  Both  show you how to elevate non precious material into art imbued with special meaning.

The first one is  Amulets and Talismans by Robert DancikI took Dancik’s class on cold connections last year  and put the book on pre-order as soon as I could.  I was not disappointed.  The book is crammed with information on cold connections techniques,  and full of ideas on how to take ordinary objects and showcase them in original, one of a kind pieces of jewelry that  tell a story that could be about the wearer, maker or materials themselves.

If you are a tool junky like me, you will relish Dancik’s ideas for making custom tools.  He shows a nifty little jump ring cutting gizmo you can make yourself.  I made one.  There are no directions, but one look at it is all you need. (If Truman Capote had met me when he first came to New York, his book would have been entitled Breakfast at Harbor Freight.)

The next gotta have it book is Ancient Modern: Polymer Clay + Wire Jewelry by Ronna Sarvas Weltman.

Weltman’s  designs have an inimitable   primitive sophistication that’s fresh and inspiring.  Her projects and instructions will stoke your creativity and have might change the way you think  about polymer clay and wire.

This time last year

I’m a Fool for Faux

I love to make faux beads from polymer clay and have been obsessed with it lately. Here are four of my favorite books. They contain plenty of recipes for making every kind of faux substance you can imagine.

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I use a vibratory rock tumbler instead of sanding and I’ve gotten great results. I promise I’ll do a post on it soon.

Dancik with the Stars

 
 

 Dancik was Riveting

 

I mentioned last week that I took a two day class called Forming Lasting and Meaningful Attachments with Robert Dancik and sponsored by the Philadelphia Area Polymer Clay Guild. We learned all about cold connections in jewelry making including riveting, tabbing, gluing, fold forming, and fastening with miniature hardware. We also learned about different types of resins, epoxies, alternative art materials, and how to use them.

Want to learn more about cold connections? Some of my favorite books on this topic are Wrap, Stitch, Fold & Rivet by Mary Hettmansperger, Making Metal Jewelry by Joanna Gollberg, Making Connections by Susan Lenart Kazmer and a book on the Godfather of cold connections, Alexander Calder, Calder Jewelry by Mark Rosenthal.

And here’s a good illustrated article on how to make rivets by Patty Fleishman.

To see more pictures from the Dancik class, go to the Philly Area Guild’s Flickr site.

Early Bracelets

I love to make bracelets and I look everywhere for inspiration. Here are some bracelet experiments from a few years ago I made after plowing through The Splendor of Ethnic Jewelry.

Mann Beside Himself at Synergy

   

  Ok, so that’s a bad joke.  But there were a lot of new and interesting products at the Synergy Vendor Fair.  Jeweler Thomas Mann was there with his Studio Flux products. Eberhard Faber brought  Efaplast, a microwavable modeling clay that looks very intriguing. I got to examine some of the cured stuff. It seems buoyant, almost cork-like and they say you can carve it and paint it. They recommend you use a dedicated microwave for this product.

  Polymer Clay Express was there with their new Bracelet Angle Jig Kits. Wilma demonstrated making bracelets for six hours!  Ann and Karen Mitchell were there displaying products for Amaco and had a new pendant roller that I’m definately going to get.

 Dan Cormier was there with Cutting Edge Peelers and new tools he developed to expand  your Skinner Blend repertoire.  Kato PolyClay was there with new liquid clay colors I don’t see on the website yet. Robert Dancik sold Faux Bone and a neat beveling tool to cut it with. I bought one and am going to try it on cured polymer clay. 

Here are a few pictures from the fair.