Inspiration: How to Get It.



Sometimes children get crazy notions into their heads. I had a friend who swore that there was a city called ”Random” in upstate New York where contest winners were picked. (“Winners will be selected at random.”)

My personal crazy childhood belief was that every song had already been written, and that it was impossible to compose a totally new song. I know now that this isn’t the case, but I could not imagine that anyone could invent any new music beyond that which already existed. It had all been done.

But I also know that there were times in popular music history (for one example), when all music started sounding the same until a visionary or a visionary movement came along and blew up the paradigm. Until someone shakes things up, we get mired in the same old same old. It takes a a new way seeing and hearing to move upforward. And openness and a willingness to explore. If you want a concrete example of this has happened in the past, watch the segments on David Bowie in Apple TV’s documentary 1971: The Year That Changed Everything.

It can seem impossible to come up with a fresh design that works on all levels. We have all been subjected to brutally over-designed fashion masquerading as something new. As for me, I have been struggling the past few weeks with trying to come up with some new earring designs that are unhackneyed, original, and my own.

Where are you supposed to get inspiration? Everyone recommends searching Pinterest, but I have a problem with that. I don’t think it will help my cause to look at countless pictures of earrings. Sure, I can copy someone else’s designs. But without getting into the moral/ethical dilemma copying debate, (a topic that I think has been done to death and needs to be put to rest, ) after I have learned a technique, why on earth would I want copy someone else’s work? I want to be more than a technician. That’s the goal. So the question becomes where to find inspiration.

Picasso is known for saying that good artists copy and that great artists steal. What does this mean? Does it mean that great artists commit copyright infringement? I don’t think so. Let me explain. Two artists who ”stole” to great effect were Antonio Gaudi and Elsa Peretti. How did they do it? Here’s a clue: Polymer artist Kathleen Dustin says that part of her job as an artist is to pay attention.

Gaudi and Peretti paid attention. Here are two videos that show how they did it.

How many of us truly pay attention? I am going to start working on it.

Looking for Inspiration

I must confess that I am feeling particularly uninspired as of late. I’ve been making ceramic mugs in the pottery studio and decorating them with underglaze, but even this seems forced.

The Penn Archeology and Anthropology Museum has been a great source of inspiration for me in the past. Flea Markets are a great source of inspiration, too. If those don’t work for you, the Huffington Post offers a few suggestions to stoke your creativity. I find that the best thing for me is to take a long walk and to try to look at things differently.

So last week, I revisited a Philadelphia neighborhood I lived in years ago which happened to be hosting a vintage flea market on a beautiful fall day. Even if the walk didn’t open the inspiration floodgates, I figured that at least I would get some exercise since I walked to Powelton Village and back from my South Philadelphia neighborhood. And got to look at Center City Philadelphia architecture from the west rather than my usual eastern view. Architecture can be another source of inspiration.

I’m not feeling inspired yet, but when I do, you’ll be the first to know.

Inspiration Makes a Clasp

I haven’t been making much jewelry lately, but when I do, it always comes back to clasps. I love clasps that are elegant, simple to use, and reliable. I don’t like to struggle to put on and take off a piece of jewelry and I dislike losing it even more. A good clasp doesn’t call attention to itself because it is part of the design. By that, I mean it doesn’t stick out like someone who crashed the party. Even if it functions as the focal in a piece, it should be a working part of the design.

Sometimes, I start a piece and then consider what the clasp should be. Sometimes I start with the clasp and build the piece around it. And sometimes, someone’s else’s jewelry inspires me to create something new. The following necklace is a case in point.

This necklace belonged to my mother-in-law who loved midcentury modern studio jewelry. I think it’s made of onyx and it’s got a lot of heft. The beads are about 25 mm and the necklace is about 18″ long including the clasp. I think the clasp is the best part of the necklace.

The clasp is silver. Note that the open ring to the left it slightly open and ajar. The closed ring slips right onto it. You can put on the necklace with your eyes closed. The weight of the beads pulls in a manner that the open part of the clasp remains on top so the necklace is secure.

Here’s my take on this clasp with a polymer necklace.

Again, I have very big beads. In fact, most of them are bigger than the beads in the onyx necklace. Except they aren’t heavy because they’re hollow. Can you see the clasp? It’s on the right above the red round bead.

The polymer beads are strung on 16 gauge dark annealed steel wire and connected with loops. The back of the choker-length necklace is 16 gauge wire which works because the beads are so light that it doesn’t bite into the neck. This piece of wire is permanently fastened on one side of the necklace and finished with a tiny hook on the other side that slips into the loop coming out of the round red bead. The opening on the hook points to the side and holds the necklace closed and secure.

Here’s a picture of the polymer choker. The wire is rigid enough to hold the beads in place but not so rigid that it’s stiff. The onyx necklace keeps its shape by virtue of the weight of its beads. It’s a heavy necklace and not everyone would feel comfortable in it. My mother-in-law was not too concerned with the comfort of what she wore, as long as it was fashionable. But the clasp is very comfortable and makes up for the weight of the beads.

And here’s a picture of the polymer choker with the onyx choker. As you can see, they are about the same size.

What Inspires You? Cat Pottery

I’m back from Clayathon with too much to do today so this week’s post will be short. What inspires you?  I am not ashamed to say that my cat Boris (and animals in general) is a big source of inspiration for my pottery.

Boris I’ve started throwing again after a hiatus because of thumb problems.  And I like to draw on the pottery which is white earthenware clay.  Here are some small bowls that came out of the kiln this week.

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We have sponge eating monsters  in our pottery studio, so I marked my cleanup sponge accordingly:

 

Screenshot_2020-02-26 Martha Aleo on Instagram “Theft prevention in the pottery studio #humor #donttakemysponge #potteryand[...]
Remember this is a joke.  Just don’t walk off with my cleanup sponge!
 

Where Do You Get Your Inspiration?

 

I was  going to write a post a few months ago about a wonderful visit I made in July 2019 to the University of Pennsylvania Museum of Archeology and Anthropology. But one thing led to another as it usually does. The Penn Museum post went into the drafts folder and I went on to other things. I recently returned from Southern Spain(Seville and Granada)where I was overloaded with Spanish Baroque interiors. They are beautiful, but after awhile, you feel like you’ve eaten too much birthday cake. (At least I did).

 

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Catedral de Granada, Santa Iglesia Catedral Metropolitana de la Encarnación de Granada

“Where do you get your inspiration?” is a question I sometimes hear. And while I will not be making a Spanish Baroque wedding cake any time soon, I find inspiration pretty much everywhere.  Which brings me back to the Penn Museum.  There is certainly enough to inspire anyone who spends an afternoon (or better, the whole day) there.

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The Mesopotamian jewelry collection is outstanding.  Here are some pictures, but it’s better to see the collection in person.  Royal Tombs of UrUr Headdress

The Near Eastern pottery collection is also very interesting.  These pots are from Iran.

I was so taken with the pot shaped like an Erlenmeyer flask  that I decided to make my own version using the tar paper technique,   Here’s where memory and inspiration clash: I remembered the shape upside down.

3d6efd914115433b5fe2ff5655a7a570There’s a picture of the finished version in this post.  The pot was auctioned off at Clayathon  and went home with a (I hope) happy person.

But I think I love the Mexico and Central American collection best because it contains some striking Mayan artifacts as well as jewelry and pottery.

I love that turtle (I think) vessel and could see myself trying a colorful terra cotta version.

Where do you get your inspiration?

Looking for Inspiration? Try a Flea Market

Spring is when the outdoor flea markets spring up in Philadelphia.  My favorite Saturday activity is to take long walks through the neighborhoods and hit house sales, sidewalk sales, and flea markets on my way.  I usually look for household items I might need at sidewalk sales.  Estate sales are especially interesting because they are usually held in affluent neighborhoods and you get to see some pretty impressive homes from the inside as well as antiques and art.  You also learn that money does not always equal taste, but we knew that already, didn’t we?

Flea markets are fun because the sellers are generally pretty friendly in my experience and some are eager to talk about their wares even if you don’t buy.  They’re a place to learn, meet people, and relax.

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John S. Whitney, Jr. has a clever way of attracting buyers to his table filled with antique art and jewelry.  He also sells from his store, the Nue Gallery, in Lansdown, PA.

While I don’t collect antiques or vintage items, and rarely buy jewelry,  I find plenty of inspiration at flea markets.  You will find plenty of shapes and color at flea markets, in the form of old pottery vintage clothing, brightly colored cloth, old appliances, or just plain rusty stuff.  I have found some great old tools at flea markets, but I also look for things I can incorporate into my art, like old jewelry, metal objects I can cut up and repurpose, ephemera,  or anything that I can fit into a bezel.

Here are some pictures from my last flea market foray

 

And here’s what I bought: two cheap copper cuff bracelets and two cheap brass ones.  Total, $5.00.  I plan to reuse the metal to make something new.  I also found a vendor selling cabochons and treated myself to some lovely striped jasper for another $10.00.

My Haul

The Picasso Vase

I made a Picasso vase.  Or rather, the other people in the studio started calling the vase The Picasso Vase before I ever thought of it.  Probably because of the shape which would have been impossible to achieve without the tar paper technique (which I also used to make the menorah.)
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You can from the picture above see how difficult it would have been to support the vase in its wet state without the tar paper to support it.  It was three wet slabs with beveled edges, scored and pinched together.

 

    Paper covered vase on left (upside down).  Bone dry vase before bisque firing on the right.

If the vase was to be an homage to Picasso, I needed to decorate it with Picasso-style images.  I decided on a cat, a mouse, and a fish.   Here are some preliminary sketches I made for the mouse.  I started with realistic drawings and got more abstract as I went.

 

I had no problem deciding on the cat portion and the fish came to me all at once.

 

Here are the designs for the mouse and fish,  drawn on the bisque-fired vase with an underglaze pencil.

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The cat in progress.  I used underglaze chalks and liquid underglazes for color.

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        Right out of the kiln.

 

 

The finished vase.

 

Return to Rothko’s Rooms

I plan to return to London soon and one of the items on my list of things to see is the Mark Rothko exhibit at the Tate Modern Gallery.  I had heard about the paintings Seagrams commissioned from Rothko to hang on the walls of their new Four Seasons Restaurant in New York City.  I know that the paintings never made it to the restaurant and  wondered what happened to them.

 

 

 

Well, on my last visit to London, I learned that they are in a room at the Tate Modern Gallery.  The pictures you see here are not meant to be accurate representations of the paintings, but rather, to give you an idea of their scale.

A placard accompanying the exhibit stated:  “ROTHKO was influenced by Michelangelo’s Laurentian Library in Florence with its blind windows and deliberately oppressive atmosphere.  Rothko reportedly commented that Michelangelo ‘achieved just the kind of feeling I’m after – he makes the viewers feel that they are trapped in a room where all the doors and windows are bricked up, so that all they can do is butt their heads forever against the wall’.

Wall Text Accompanying, In The Studio Exhibit, Tate Modern Gallery, London, England.

 

 

I am not sure how these paintings would have looked in an upscale restaurant, but I did not feel trapped in the room where they are displayed at the Tate.  In fact, I found it hard to leave.  The paintings have a singular calming effect.   Viewers can get close to them or sit across from them and look as long as they want.

If you want to learn more about Mark Rothko and these outstanding paintings, watch film documentary Rothko’s Rooms.  The film charts his life, artistic development and includes commentary from his family and friends.   Rothko’s Rooms used to be available on YouTube.  You can order it from Amazon.  Just click on the graphic below.

 

 

For additional information on Mark Rothko, go to artsy.net’s  Rothko page here.

Tesla Necklace with a Nod to Cynthia

I love big beads.  Big hollow beads.  Doesn’t matter whether they’re made of glass, metal or polymer.    Maybe because it’s a challenge to figure out how to make them and probably because people are always surprised at how light they are.   And I have made a boatload of hollow beads over the years.  

Which brings me to last week when I brought a strand of big polymer beads into the pottery studio and someone was interested in buying it which was a problem because it was only temporarily strung and I had not figured out an appropriate clasp.  But it got me thinking.  

I have always admired the perfectly integrated polymer covered barrel bead clasps on Ford and Forlano’s big bead necklaces.  I wanted to make an integrated clasp myself but I did not want to use barrel bead – I wanted to use a hidden magnetic clasp.  Which brought up two problems.  First, it would have to be a very strong magnet. Big hollow bead necklaces still have some heft after all. And you cannot bake a magnet without diminishing its magnetic properties.   People used to bake their magnet clasps all time time. But we have learned that  baking weakens the magnets.

So I had to find a strong magnet and a way to integrate it into polymer bead halves without baking.  I was surprised to learn that there was a paucity of information on using magnets and polymer clasps.  I mean there are some old tutorials that instruct you to bake the magnet into the clay but as we have discovered, that’s a no-no.  

Then I discovered Mag-Lok magnets and found this video  from Cynthia Tinapple.  I put my own twist on Cynthia’s technique and  made a necklace with the Tesla beads and a magnetic clasp.   How very appropriate. 

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I will share how I make hollow polymer beads and magnet clasps at the next meeting of the Philadelphia Area Polymer Clay Guild.   Thank you Nikola Tesla and Cynthia Tinapple!

 

 

 

 

 

 

 

 

 

 

Boris Discovers the Workshop

I have to admit that I was very sad when I wrote last week’s post.    But Boris is is coming out of his shell and worming his way into my heart.  There is nothing like a kitten to beat the blues.

Plumpton used to hang out in my workshop and Boris seems interested in doing the same. It will be nice to have company s long as Boris behaves himself.  But what are the chances of that?

 

He was fascinated with the pieces of baked polymer that I am playing around with for a wall piece I am making for a fund raiser for the Fleisher Art  Memorial.  Just the thing for a kitten to bat around.

Playing with the colors, shapes and textures inspired me to try a new earring design.

So it looks like Boris might be inspiring me! That’s good. I could use some inspiration right about now.