Clayathon, 2023 and Beyond

Clayathon, an annual three-day get together for polymer clay artists and hobbyists, started because Arlene Groch, who had retired from the practice of law, brazenly decided to turn her conference room into polymer art studio. Polymer enthusiasts from the South Jersey area started to gather for all-day creativity sessions. They began to talk about about how wonderful it would be if they didn’t have to go home at night, but could continue to play with clay in their pajamas fortified by wine and snacks. Arlene took these sentiments to heart, found some hotel space and the first Clayathon gathering took place in 2006.

The event grew over the years, first from the addition of guest artists such as Donna Kato, Kathleen Dustin and Jeff Dever, and then by the addition of pre and post Clayathon workshops with an impressive roster of teachers. Clayathon convened yearly at various hotels in the South Jersey area through February, 2020, which was the last in person Clayathon, just before the lockdown went into effect.

We took Clayathon online in 2021 with guest artist Carol Blackburn and in 2022 with guest artist Loretta Lam. We scheduled an in person Clayathon for February, 2023 after conducting an online survey to see how we would fare but registration was down, and late cancellations due to concerns about Covid-19 forced us to cancel it.

Things have changed since the pandemic. A lot of instruction has moved online, which is good and bad. It’s good because people can attend classes anywhere in the world and teachers have a wider audience. But online classes often lack the warmth and collegiality of in person classes. Plus traveling to take a class can be a wonderful experience for those who can afford it.

I can’t say I missed the frenzy of mounting two online Clayathons in 2021 and 2022. Even with all the support and great volunteers, I missed the in person interaction. So I was really looking forward to Clayathon 2023, even though we would be attempting for the first time to combine an in-person Clayathon with a virtual component. Looking back, that was probably too much to take on, although it didn’t matter in the end because we had to cancel.

I hope there will be a Clayathon 2024. I will be stepping down from the Clayathon board because I think it is time for fresh blood. We are looking into possibilities for a transition and are always looking for new ideas and volunteers. If you have any thoughts, you can contact us at hello@clayathon.org. In the meantime, if you want to learn about Clayathon, what it’s all about, and see pictures and videos from past Clayathons, press here for all the links.

Clayathon Goes Virtual

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Normally, the articles I’ve posted after the annual Clayathon conference are heavy on photographs.   But this year, we took Clayathon online because the pandemic made gathering at the Stockton Seaview an impossibility.  None of us had ever hosted an online conference before.  There was a lot to learn!  In the end, we went for three days and had more than 300 people in attendance via Zoom from all over the globe.  That’s 300 people at one time watching our guest artist Carol Blackburn in two live streams from London each day and our end of the day presenter Syndee Holt, live each day from San Diego, California.  That’s an 8 hour difference for those of you who are wondering. Carol shared a screen in Zoom with her work surface.  Everyone got a clear view. People could ask questions in the chat box.  After Carol’s demos, there were pdf handouts for paid registrants

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Meeting of the pit crew

In the middle, we had presenters from the Eastern Standard time zone:  A panel discussion with Lindly Haunani, Laura Tabakman and Kathleen Dustin on the impact the pandemic has had on their art,  a live tour of Kathleen Dustin’s studio in the woods of New Hampshire and a presentation by Loretta Lam on her book (which I highly recommend) Mastering Contemporary Jewelry Design.  In the afternoon, we had breakout rooms in Zoom where people could mingle, socialize and trade ideas. 

My work station

None of this happened by accident.  We’ve been planning virtual Clayathon 2021 for months.  We had great people on the crew.  For more information, go to our web site where you can read all about Clayathon.  Be sure to visit the shop where you can buy art from many of the teachers who taught workshops in the days before and after Clayathon.

Clayathon in full swing with screens and screens of participants
Valentine’s Day morning.

Retreat to Pittsburgh

Patty’s car died so we decided to take the bus from Philly to Pittsburgh rather than rent a car, or go by train or plane.  It was pretty easy for me since the bus station is a few blocks from my house and my husband dragged my suitcase for me which was filled mostly with a pillow, some clothes and some beading implements.

OurBusIt’s a free for all when people disembark from a bus.  People don’t wait for the seats in front of them to empty before entering the aisles like they do on planes.   It’s like everyone on the bus forgets his manners or else they think someone on the sidewalk is giving out twenties and you won’t get one unless you trample the person in front of you.  But I found out that if I waved my arm cast around, people would stop in their tracks.  I had already decided that the cast looked like part of a super hero costume and I was right!  I wave it around and people fall aside like dominos. TAKE THAT!

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I dressed my cast with this lovely name tag when I got to the Retreat.

WorkroomWe had a large and lovely work space although it soon became clear to me that I could not do much beadwork.  I can bead left handed but supporting the work with my right hand was not comfortable.  So I put the beadwork away and schmoozed.

KoiPondSpiratancenterI also got the changc to wander the grounds of the Spiritan Center where the retreat was held.  They  have lovely grounds and an incredible Koi pond.

Typing is still a bit uncomfortable for me.   So here are some pictures from the retreat for you to enjoy.  There was a lot of talent there!

Vintage Items at Clayathon Auction

We had a few vintage items this year. Not everyone at Clayathon was familiar with the work of Mike Buessler who specialized in landscape canes. The pin you see below is a cane and it is the exact reverse image on the other side. People have made landscape canes since the time Mike retired his tissue blade, but he was the first and the best.

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Mike Buessler landscape cane pin

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Carolyn Potter mosaic inlay pendant

I am not sure if Carolyn Potter is still working in clay. Her work was certainly beautiful as this mosaic pendant attests.

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Lindly Haunani Inclusion Swap Pendant

Lindly is still working in polymer, teaching, writing, and she taught a very popular class at Clayathon. I warned her that one of her pieces from the 1990’s swaps was going to be in the auction.

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Barbara McGuire Face Canes from Angel and Barrette swaps

Barbara McGuire is still very active in polymer as an artist, teacher and writer. It’s hard to retire when you have so many great ideas.

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Pier Voulkos Earrings and Pendant

Pier Voulkos retired from polymer more than 20 years ago. She set standards of artistic excellence for everyone.

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Pier Voulkos pin

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Grove and Grove Earrings

Michael and Ruth Ann Grove were artists who became involved with polymer in the early days who no linger work in the medium. The earrings above are a good example of their work.

If you want to learn more about the early days of polymer, go to the
Polymer Art Archive.

No Work and All Clay

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Clayathon logo by Robin  Milne

Clayathon starts in a few days and it won’t be too soon for me.  The hotel where we hold it was sold last year  and ensuing renovations meant we had to move Clayathon from February to April.  Nicer weather but too long a wait!  Fortunately, Clayathon will return to its February time slot next year and make that dreary month seem a little less miserable.

Here are some pictures from last years’ Clayathon.

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Back From Clayathon

I got back from Clayathon today and I am so tired I can barely see straight.  But we had a ball,  all 110 or so of us.    The Stockton Seaview, where the event is held, is a luxury golf resort with a spa, pool, fitness center, a fireplace in the lobby and a big bowl of apples on the hotel’s front desk. It’s a great place to unwind and have fun.

This years’ Clayathon attracted clayers from as far away as California, Texas, and Canada.  Each Clayathon attendee got a 6-foot table as a workspace.  We had ovens for baking, buffers for buffing, drills for drilling and electric pasta machines out in the hall.  Donna Kato was this years’ guest artist and taught a class before Clayathon started.  Sarah Shriver, Claire Maunsell, Lindly Haunani,  Melanie West and Jana Roberts Benzon taught pre and post-conference classes, too.

I’ll write more on Clayathon next week, I hope!  In the meantime, here are some pictures.
 

 

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For more Clayathon reportage, go to Lisa Clarke’s blog here.

New Leaves and Old Friends at Synergy 4

I attended  the Synergy4: A New Leaf » IPCA North American Conference this year, although other commitments limited me to  the opening reception and  first day’s programs. Fortunately for me,  the conference was in nearby King of Prussia and I was able to get a ride with a friend from Philadelphia who decided to commute to the conference. 

I attended  workshops  (how to unbox my creativity  with Anke Humpert and environment as inspiration with Beth Wegener),  drank lots of coffee, rekindled old polymer friendships and made new polymer friends.  The attendees were a very friendly and lively bunch!

The Monday sessions opened with Emily Squires Levine, Laura Tabakman and Julie Eakes talking about their global polymer installation, Into The Forest scheduled to open the weekend of November 10-11 at the Spinning Plate Gallery in Pittsburgh.

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They brought a little bit of the forest with them as a preview:

Something new at Synergy this rear was Retreat Plus, an option that allowed people to have a polymer workspace and see polymer demos along with attending  some of the conference programs.

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Karen Woods and Alison Galant share screen printing techniques in the polymer workroom

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No one ever gets out of the Synergy Gallery without spending something, but this year there were even better reasons to part with your cash.   I bought the beautiful  flower pin above to support Into The Forest.  And Ron Lehockey was there with a pile of hearts in support of his Heart Pin Project.  Who could resist temptation like that?  

Into the Forest in Philadelphia

Last year, polymer artists Emily Squires Levine and Laura Tabakman  spent some late summer days in the  Colorado mountains and were so inspired by their walks through groves of aspen trees  that they decided to collaborate on an installation.

The result  is “Into The Forest” which opened for public viewing in Philadelphia on September 12.  Located  in the South Tower Art Gallery of the Park Towne Apartments in Philadelphia, the installation  is part of the “Constructing Organics” show which features work by three other Philadelphia artists.  InLiquid and AIMCO  co-sponsored the show.

I attended the opening and was excited to see polymer art recognized as fine art. Laura, who lives in Pittsburgh, was not able to attend the opening but Emily did an excellent job of  explaining how she and Laura were influenced by their hikes through the aspen forests and how they translated that experience into an intriguing installation.

Here are some pictures

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Painting by Jeffrey Keith

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Emily talks about “Into The Forest”

 

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Installation at twilight

 

The Philadelphia venue is only the beginning for “Into the Forest.”

I first learned at  the EuroSynergy conference this summer that  Emily and Laura, who have been joined by award winning polymer artist Julie Eakes plan to expand “Into The Forest”  into an  international collaborative project.  Laura  announced the project at the end of her Synergy presentation on “Getting Your Work Ready to Show.” She’d  already wowed the audience with her stories  about how she scouted exhibition  opportunities for her incredible polymer and mixed media installations.  After she revealed the plans for the international collaboration she invited everyone to volunteer via a Facebook group set up for the purpose.   I volunteered right there on my iPad and many people in the audience did the same.

You can volunteer too. Just go to the Facebook group page, here.   You can follow the project on Instagram (@intotheforest17).   Read more about the project on the Polymer Arts Blog.

Several  polymer events to support the program are in the works.  Emily will lead one at the September meeting of the Philadelphia Area Polymer Clay Guild.  For information on this meeting, go to the PAPCG blog.

 

 

 

Still Claying After All These Years

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Clayathon time is here again. I will pack up my stuff and head to beautiful Galloway Township NJ and the Stockton Seaview Hotel where I will meet new and old friends and have a chance to play with my clay for as long as I want.    Clayathon is a friendly gathering of creative people who enjoy playing and claying together.  Clayathon  can be a time to set goals and try new things, or  a time to make birds.  Lisa Clarke has attended most of the Clayathons and written about them.    Robin Milne designed a great logo for this years’ event.    And Arlene Groch and her team of volunteers have made Clayathon one of the best clay events of the year.  

 

Want more?  Here  are some past Clayathon posts from this blog.

Clayathon Goes to the Circus!

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This is the second collaborative piece made at Clayathon 2013,

 Sherman Oberson(Dancing Clown),  Patty Pickup Clown with Blue Feet), Patti Underwood (Bearded Lady),  Lois Rosenthal Seal),  Robin Milne (Elephant), Martha Aleo (Juggling Balls and hands), Sue Springer (Spinning Plates  and Hand), Mary Frederici (Dancing Dog), Arlene Groch (Clown Shoes), Denise Pettit (the Bear in the Cage and the Giraffe) .  Please leave a comment as to who else contributed to The Circus and I will update the post.  We have a Ringmaster, the Balancing Teacups, the Giant Octopus,  the Gag Flower, the platforms and who painted those lovely boxes anyway?