My Studio Then and Now

Libby Mills ran a series on her blog a few years ago called Studio Snapshot and she was kind enough to feature my workspace in one of her posts.  I thought it would be fun to do a then and now post of my space.

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Then
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Now

A little neater. now, don’t you think?  I have to confess that one of the reasons it’s so orderly is because I am not in the middle of any projects now, because I am recovering from hand surgery and because I have been cleaning.   Our boiler and water heater entered into a mutual suicide pact last week which necessitated replacing them both with this new gizmo.  Which necessitated drilling through the foundation.  Which created lots of dust.

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The New Gizmo

New Gizmo does not need to use the chimney as it is vented out the side of the house, and the workshop is so clean is because I have been steam cleaning the fine layer of dust off of everything.

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Chimney opening

This means I can move my kiln and my polymer oven to the back basement, install a ventilation system  like this one that will blow out the chimney, and gain some space in the front basement.    I do not plan to add anything else to the front basement because I like the idea of having more room to stretch,  something I did not always have. But I will have to have some electrical work done in the back so I can run my kiln, oven, and ventilation system there.  I haven’t done any lamp working for a few years but I have worked with bronze metal clay, porcelain clay, and have done some glass fusing.

 

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Pretty Cluttered

I have donated all but my very favorite beads ( which leaves quite a lot of them) and have installed new lighting in the work space.  And I have gotten rid of a TON of supples, paints, fabric, glues, found objects, old tools, metal and more to good homes.

I replaced all my old furniture with Ikea Helmer cabinets and Linmon table tops  When I like about this is when you want to move supplies, you can simply switch drawers. Everything fits! And everything’s on wheels which makes it doubly convenient.  You can move things around without a lot of fuss.

 

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I still have my old watchmaking bench but I use it for display and to hold supplies

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When your space is as small as mine, something has to go every time you bring something new in.  I snagged this cabinet for $5.00 at a house sale.  I am still deciding what to toss.

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I don’t think I will ever have enough hammers though.

 

Polymer POST

I have published several posts about one of my favorite local art programs, the Philadelphia Open Studio Tours (POST).  But this year is the first time I have ever encountered polymer artists on the tour.   My friends Patty Pickup and Terri Powell (ArtSci designs) joined together in West Philadelphia to showcase their work for this years’ Open Studio Tour West.   They were the only polymer artists on the tour this year, but I am hoping this will change as more people start to recognize polymer as a serious art medium. 

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Patty’s Spruce Hill home was a great place for the display

Patty has an incredible, huge studio on the third floor of her home.  To see pictures of Terri’s studio, press here.

Patty’s latest work.  Her color washed-pendants are very popular.

ArtSci designs yummy carved and backfilled bracelets look good enough to eat.  I own a set of these and love wearing them.  If you are interested in purchasing any of Terri’s work, you can contact her through her web site here.    Patty does not have a web site yet, but I’m sure that’s only temporary.

 

 

 

 

New Work from the Beading Yoda

I dropped in on my friend and neighbor Jeri Schatz (AKA Beading Yoda) to show her the rings I have been making and to get some tips and constructive criticism.   (Jeri studied goldsmithing at the Kulicke-Stark Academy in New York and served an apprenticeship there before she moved to Philadelphia and began beading.)  After we were finished, I asked her t what she was working on, and she took down to beading central so I could see for myself.

 

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The Beading Table

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Beaded Beads

Bracelets

Bracelets

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Super Duos combined with seed beads

Multi-layered Geometric Bracelet

Hands

 

InProgress

New  necklace design

 

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A geometric bracelet that moves wonderfully when you wear it.

Sampling

Geometric, Herringbone, and Peyote

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More bracelets with Super Duo beads, triangles, bars and seed beads.

E.C. Bradley’s Tactile Textures

My next stop on the POST tour was  studio 409 in the Crane Arts Building to see the the highly textured and dimensional work of E.C. Bradley who works in plaster, acrylic and resin on boards and canvas.  I find his work very attractive and calming.  Here are pictures of some of my favorites.

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“Klee Date”

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Tulips

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Watercolors!

 

 

 

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Read more about the Crane Arts Building here.

 

 

POST Tour 2016: Jim Brossy

Last weekend was the East-of-Broad-Street portion  of the  Philadelphia Open Studio Tours or POST for short.    It’s lots of fun to visit artists’ studios, have a look around, and learn about the work they do.  My first stop was  Jim Brossy’s studio  in Northern Liberties.  It’s a cavernous space and it has to be because Jim works very large.  His  multi-dimensional works  exhibit an eerie storybook quality.

“The painting is not a representation of life, but a real thing, an object in a real space, that can be experienced as a picture. The integration of  tar, cement, wax, latex, steel and other “non- art” materials along with traditional art materials, eliminates boundaries creating new form. ”

 

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Jim’s work  pulls the viewer in and elicits an emotional response. It is difficult to look away He refers to his work as “Crackpot Realism.”  Read about Jim and see more of his work here.

Next Week: E.C. Bradley