New Tools for Making Polymer Clay Earrings

I wrote last week about my latest attempts to design and create unique polymer clay earrings. I’m designing my own shapes rather than relying on purchased cutters. This involves creating designs on Vectornator and making templates on a Silhouette Portrait 3 machine using plastic notebook dividers I’ve found around my house. I’m able to design and cut almost any shape I want. The notebook divider material is not rigid, but it’s easy to trace around it with a craft blade. And you can use the shapes over and over.

You will always have to clean up your shapes, whether make them with a cutter, or a craft knife. But it seemed that I could never catch every burr and crumb before I baked. I thought that a bow sander would be handy for getting into tight places. Why not use an emery board, a sanding stick, or a file? Didn’t work for me. I wanted to be able to choose any grit of sandpaper, and I didn’t want to be throwing away spent sanding sticks and emery boards and constantly buying more. But most of the bow sanders I saw were too big or too expensive. Then I saw these.

The bow files are on the left and the sanding blocks are on the right. I bought them from Rockwell Exchange on Etsy. They are small, 3d printed, and reasonably priced. I started out with the bow sanders and liked them so well, I ordered the block sanders a few weeks later. The tools are held together with plastic screws. You unscrew them, insert strips of sandpaper that you’ve cut, reassemble them, and you’re good to go. Since they’re plastic, you can wet sand without fear of them rusting. Here’s how I’ve been using them.

Some shapes

You can see that the sanders let you get into tight corners and wrap around curves. I know that a lot of people like to use rotary tools or Dremels for finishing, and sometimes I do too. But a problem with mechanical tools is that they can spin too fast and do some damage if you’re not careful. Hand tools are great when you’re trying to slow down like me.

I’m not the kind of person who buys every tool under the sun, and I try to make my own tools when I can. And I don’t accept any payment or other remuneration for products I recommend on this site. (See my Disclosure statement.)

But I have found these sanding tools very useful and recommend them if you are looking for some sanding help. You can buy them here.

I’ve found a few other inexpensive tools to recommend and will write about them in the coming weeks. Meanwhile, the earring adventures continue.

Make a Pottery Throwing Gauge

One way to make similar-sized pottery plates, bowls and mugs is to start out with a given weight of clay for each item. Here’s a handy chart of recommended amounts of clay needed for certain items. But I have a hard time throwing consistently-sized items even if I do start out with equal weights of clay. It would be nice to make a set of four mugs that are nearly the same size on purpose and not by accident. A pottery throwing gauge is a tool that is supposed to help you do just that. You set the gauges to the height and width you want your piece to be and, if you don’t knock it over, you might end up with an evenly-matched set of bowls or mugs.

I’d never even heard of a pottery throwing gauge until I saw this video by Florian Gadsby on YouTube. I was intrigued needless to say. I love tools but I’m not the kind of person who buys tools willy nilly thinking they can make me a better artist. But I will buy a tool if I think it will be helpful. (I just snagged a KitchenAid mixer on Craigslist and it sure makes kneading bread easier.) And if I think I can make a tool that will be helpful, even better.

So I decided to make a pottery throwing gauge. I gathered up my nut and bolt collection, and my scrap wood. Aside from some wood screws, the only other material I used was a broken set of pottery calipers from the pottery studio. I sawed these in two, to make two positionable gauges which can be used in tandem to measure the height and width of the pot. They fold up out of the way if they’re not needed. I fastened the gauge parts with bolts, wing nuts and rubber washers like these because they make it easy to tighten the wing nuts and position the gauges. I used bigger bolts, washers and wing nuts to attach the gauges to the center post.

My tool list was short: a drill and bits, an electric screwdriver, a metal saw, a wood saw, a ruler, and a clamp to hold the wood during sawing.

The gauges cover a pretty wide range of sizes. I drilled holes in the main post about four inches apart so the gauges could be taken out and repositioned as needed.

I screwed the main post into a crosspiece which seems steady, but I might have to weight it down with a brick when I am throwing pots on an active wheel. I also drew lines at one-inch intervals let me know how to set the gauges. The center post is about 15 inches high.

What’s On My Bench Now

I’m in the process of refining my homemade bronze clay firing schedule. The pieces below sintered beautifully, but they were the only things in the kiln that did. I had to re fire everything else, but they turned out fine on the second firing. Some more tweaking is clearly in order.

 

Second firing before cleaning. Everything sintered

I’ve been fooling a around with low-cost texture sheets. These are silicone brush cleaning mats that I cut up to make them easier to use. You can find these at Five Below, Wish.com, and Amazon

I got this texture stamp at Wish.com. I can’t find the link, but they have hundreds of designs.

 

Some previously-fired bronze that I have shaped in a swage bock. I’m waiting for it to talk to me.

Some more bronze and ceramics. I think the white pieces will end up as earrings. The bronze triangle might end up as part of a toggle clasp.

Some more ceramics and bronze wire in various shapes.

I have been thinking about riveting these two pieces together. I don’t know. They might work better as separate pieces.

A ceramic piece waits for me to decide what to do with it.

More ceramic pieces.

I am in the process of finishing a new batch of ceramic components. I burnish them in a rock tumbler and am trying different polishes to see what I like best.

My new dual barrel tumbler from Harbor Freight. I still have my vibratory tumbler, but I thought I’d give this one a try. The first one delivered from Harbor Freight had a leaky barrel. I asked for a replacement. They said they didn’t stock replacement barrels and sent me a while new unit. Which is a good thing because the first tumbler developed a short and ended up frying a circuit breaker. (Which the electrician pointed out to me after the tumbler tripped the circuit breaker several times.) The second tumbler is working fine and I hope it doesn’t develop a short. Which leads me to another thing. Before the second tumbler arrived, I looked high and low for instructions on how to repair the leak in the barrel. I found nothing. One site said it couldn’t be done. Then I found a tumbler barrel repair kit on line which inspired me to devise my own repair. If you can patch tires, why can’t you patch a rubber tumbler barrel? I mean really.

I had some liquid latex that I use for mold making. I cut a two-inch square of scrap silk fabric (because I figure silk in strong), soaked it with the latex and applied it to the barrel. I let that dry and added another layer of latex. When that dried, I covered the patch with a piece of packing tape.

No leaks yet and the tumbler has been going for a few days. Liquid latex is not that expensive and has many uses. For more information, check out the ultimate guide.

New Ideas for the Workshop

I have gathered up a few tips and ideas that I am using in my workshop as I continue on my current obsession with learning how to make rings.

Plier Holder- Thrift shop find – a paper towel holder.

4.PlierHolder

 

Rolling Mill Holder: Bench grinder stand from Harbor Freight and a couple of sturdy C clamps.

5.RollingMillStand

Sawblade Holder: Spice holder.  Another thrift shop find.

6.Sawblades

 

I keep most of my stones in photo slide pocket storage pages in a three-ring binder.

7.Stonestorage

 

I raised up my bench pin by securing it to a wooden box

 

1.BenchPin copy

I made a holder for flex shaft and rotary tool attachments.  I found a wood box at the thrift store and drilled holes in the top.

2.Box

And I can keep a few more items, like collets which I am always misplacing, in the box.  It makes it easier to find things so I can spend more time learning and making things.

 

3.Box2

Make Yourself Some Pottery Tools

My posts on making jewelry tools have been so popular that I decided to share some ideas for making pottery tools with you.  None of these are original but they all present my twist on things.  The first one is a clay texture tool.  I found a foot massager at a thrift store, took it apart, and now I have two new texture tools plus some to share.

You can also saw up a broomstick a dowel and apply craft foam or hot glue to make patterns to texture clay.  There are some examples below.  

The glue stick makes a nice texture.

05.GlueRoller

Make a clay cutter to cut canes for Nerikomi.  I cut the end off a metal plant hanger and strung  it with 24 gauge wire.  You can use any form that will keep the wire taut and if the wire breaks, it’s easy to replace.  

I love the idea of a tool that will bevel the edges of clay slabs.    Enter the beveler!    I got the idea to make my own from this site  but mine is a bit different.  The wood I used is a sidewalk find.  I trimmed the smaller piece so the edges were straight.  Then I nailed it to the larger piece so I would have two beveling angles, one shallow and a longer one.  I didn’t measure anything; I just eyeballed it.  I notched the four corners to keep  the wire in place and used a screw eye to hold the wire taut.  I tried my beveler out and it works beautifully.  It really comes in handy when you are beveling curved edges.

And finally, although this is not a pottery tool, I had to include it. I made myself a rawhide hammer from a dog chew following Charles Lewton-Brain’s directions here.  My conclusion?  Go out and buy one. The dog chews ended up costing about as much as a small hammer and it was much more difficult the make than the instructions let on.  But still, I like the way my hammer turned out and I’m using it.

11.mallet

 

Feel free to share this information and if you  want to share ideas for tools you’ve made, leave a comment.

 

Make Your Own Viking Knit Tool

To start Viking Knit the conventional way, one generally fashions a

Flower

Five or Six-leafed petal out of wire

Flower2

secures it to the top of a dowel, and then starts the weave from there.   I decided to try making a tool to make the process a little easier.  I am posting this because some people might find it helpful.

Screws

I took a wooden dowel about 3/4 inch thick and drew a six slice pie on the top with a Sharpie marker.  I continued those lines down the sides of the dowel mandrel using a ruler to draw them straight.  These are guide lines for the Viking Knit.

 

TopView

I used a rotary tool like a Dremel to drill pilot holes for small screws.  I screwed the screws into the mandrel by hand.  You have to go slowly because it’s easy to split the wood.  Don’t use a hammer.

Starting Loops

 

This picture shows how I loop the beginning wire off of which I will work the Viking Knit.  I have used a bit of tape to secure it.  You could also hold it in place with a band of wire under the screws.  Since this part will be cut off, it doesn’t matter what it looks like so long as you are comfortable with it and it works.

 

 

First Row

 

This  is the start of the weave.

 

8Rows

The lines help you to keep your rows straight.

IMG_8009

 

This is the single weave knit that I’ve removed from the dowel after cutting off the starting loops.  (This is 24 gauge copper wire)  I have another dowel the same size as the starter tool I made and I could slip the open weave onto that and keep weaving for a longer chain.  That would help me to keep a uniform shape.  There are those who would be able to do this without the dowel, but I am not one of them!

Length before Reduction

 

I made about 10 inches of weave and pulled it through the drawplate until it was about  18 inches long

Pliers

 

I recommend using wire drawing pliers because it makes the job so much easier.  They don’t have to be expensive.  

You could put end caps and  a clasp Viking Knit at this point.  Here’s a video that shows how to do that.

 

But you don’t have to be limited  to end caps and clasps.  Next week I will post on a new idea for designing and finishing single knit Viking Weave that I hope gets your creative juices flowing.

Cheap and Easy (Drill Bit Storage That Is!)

I was trolling that delightful time sucker Pinterest a few months ago when I saw an awesome bur holder  sold on the Stuller website. It looked like it would hold hundreds of burs and drill bits in a compact space and could sit  right on the top of my jewelry bench.  Did I mention that I wanted one right then and there? I’m not given to impulse purchases, however,  so I tucked it into the back of my mind. Then one trash day, I found a wooden thing with four sides that spins. I think it’s a mug tree and kitchen utensil holder.  I took it home and studied it. Then I realized that it was a drill bit and bur holder  waiting for me to liberate it from its former job as a kitchen caddy.  It now sits proudly atop my jewelry bench enjoying its new role.

DSCF0057

To make the transition from the kitchen to the jewelry bench, I first marked where the holes would go and then I drilled pilot holes with an electric drill and a 1/8 inch drill bit.  Then I went back and drilled the holes at an  angle so the burs and drill buts would slip in and stay put.

DSCF0056

DSCF0058

The wood caddy is hollow in the middle (probably meant for spoon storage)  so I took care to drill a number of holes only partially through so the bits without a brush, polisher or wheel on the top would not fall through.   If I want,  I can drill more holes on the top lip for more storage.

DSCF0059

This project was easy and cheap since I found the wooden caddy.   It would probably be easy to make one of these with scrap wood and a lazy susan base.   Unless you can build something yourself,  however, it probably wouldn’t pay to buy an  item similar to the one I used to convert to a drill bit holder.  But keep your eyes open at house sales and flea markets.  And on trash day.

Olivia’s Studio

We all know what fun it is to peek into someone else’s studio.   I got the chance  to peek  into Olivia Surrat’s studio not too long ago.   Olivia works in metal and  wire with some polymer clay added for color.    Her studio is compact and efficient.  She’s lined it with Billy bookcases and added  doors to take away some of the visual clutter you get when you have thousands of components stored in see through containers.  Olivia also snagged couple of old card catalog files and a great long sturdy jeweler’s bench that looks much more comfortable to sit at than a regular bench.  And will you look at that stake in the picture with the anvil?  She found it at a house sale.  That’s where you find great stuff.

The doorway  to Olivia’s Studio


The window gives lots of light

Metal waiting to become jewelry

Here’s that great forming stake!

Some polymer clay beads in the making and some interesting glass and shell beads.

View from the bench.  Note the slots for pin vises and mandrils.

Polymer clay and PMC bracelets, and some strung glass beads.

Close up of polymer clay beads in various stages of finishing

Some of Olivia’s wire work.  She was lucky to be able to take a class with Lynn Merchant

 Beads from around the world or the house sale around the block


Olivia collects polymer clay pieces but we were having so much fun we never got to pull out her collection.  The item above is a purse by Kathleen Dustin.  The  sign on top of the shelf is a reminder that you don’t need to take everything so seriously.

Truman, Olivia’s Canine companion  is a charmer.  He’s not a true studio dog because he’s not allowed in the studio, but he gives encouragement from the hall way where he plays with his toys and anything else that people bring into his house that seems new and interesting.  Like my husband’s  briefs which kept him occupied for a good long time until we realized why he was so fascinated.

Pain and Soldering

Bezel Experiments

I have a friend who’s been a goldsmith for more than forty years.  She told me told me that she learned how to solder jewelry  by working with a plumbers torch over a pumice tray and crying a lot.   Hey, soldering can be frustrating to learn.    You can’t ignore the laws of chemistry.  Metals do not all have the same properties. Different varieties of solder flow at different temperatures and the flame must be hot enough to do the job. So, sometimes a micro torch will work and sometimes it’s just not hot enough. But the size of what you’re soldering affects things too.  If you are connecting one small wire to another,  a micro torch might be fine, but if you are soldering a bezel and need to heat a larger metal mass, the micro torch might not be sufficient. Or you might have to use two micro torches at once.  (Press here for a description of this technique.)   Solder flows towards heat which means that if you point the flame at the join, the solder will go everywhere but the join.   Solder will not fill gaps; the items you are connecting must sit as flush as possible.  And fire can be scary; you must respect it and take the appropriate measures to work with it safely.

I have been practicing my soldering.  As you can see from the bezels above, I’m a little heavy handed with the solder.  I am still working on getting my bezel soldering mojo and hope to improve on that in time.  Until then, it’s lots of cleanup.  But even with my limited experience, I have a few tips.

  • Take a class.  You, need to learn about lighting a torch and basic safety, but there is another important reason: you can read about soldering all you want but until you witness the difference stages of soldering  from the initial heating to when the solder starts to flow, it won’t make sense.  It helps when you see what color the metal should be, what the solder looks like right before it flows and how long it takes to flow.
  • Does your carefully laid out solder skitter as soon as you hit the metal with the flame because the flux starts bubbling?  Pass the flame over the flux to dry it before you place the solder.  No more skittering.
  • If you try binder wires, clips and tweezers to  hold everything in place, they will act as heat sinks and draw heat away from where it needs to go to get a sturdy solder join.  Charles Lewton-Brain wrote an article on soldering tips and tricks for Ganoksin where he gives instructions for making a thingy to weigh down pieces you are trying to solder together.


    Here is an idea for another thingy from the Etsy Metal Blog 
Yet another soldering thingy.
You can purchase this one from Wholelottawhimsey.

And finally,  you need to check out Lexi Erickson‘s videos on soldering.  I met Lexi when she was a guest speaker at the Main Line Bead Society and gave an entertaining and illuminating presentation  on creativity.    I thought she might be an  academic but I was only half right because  the next thing I knew, she had moved  to Colorado and was blogging, making jewelry, teaching and writing great articles for Lapidary Journal Jewelry Artist.

She drew on her years of experience as a goldsmith and university level metalsmithing teacher to  put together two videos on soldering that are full of practical information, including an explanation of the various types of torches used in soldering, tools, solders, and several soldering techniques.  The videos are well filmed which is vital in  a video about soldering.  You  really need to see  how the materials look during each step of the process before you understand what is supposed to happen when you are soldering properly.   You can buy the  videos  from Interweave.

Lexi’s videos are extremely helpful, she would tell you that you still have to practice, practice, practice.  Like throwing pots and making lampworked beads, the  more you make, the more skilled you will become.   As Malcolm Gladwell said in Outliers, “Practice isn’t the thing you do once you’re good. It’s the thing you do that makes you good.”


Philadelphia Area Jewelry Tool Suppliers

Many people who are ready to graduate from bead stringing to more complex jewelry projects, and who need to pick up a few tools, often end up buying them at bead shows.  I’ve done this myself, and 99.9% of the vendors at these shows charge a fair price.  And if they take a little premium, that’s OK with me.  I am getting the convenience of finding mostly everything in one place.

But it doesn’t always work that way. I was at a local bead show a few months ago and saw a Solderite soldering board that I bought for $8.25 from Rio Grande on sale for $22.50.  The very same item, and it wasn’t a mistake.  And yet, the beginning metal smith  who might not realize that this price is out of line, is often too intimidated to go to  Jeweler’s Row on Sansom Street in Philadelphia to buy supplies, thinking that the stores there are for “real” jewelers and not them.  That’s not true.

For those of us from the Philadelphia area, Hagstoz is a treasure both for buying supplies and for selling scrap metal.  I have always gotten excellent service there.

Another store I highly recommend is Pamma Jewelry Tools and Supply, located at 809 Sansom Street.  It is a tool paradise and they have almost everything out where you can see it. They carry economy brand pliers like Beadsmith and Eurotool and high end brands Such as  Lindstrom.  They sell all types and sizes of hammers, rotary tool and flex shaft accessories, stainless steel shot, pickle, patinas, soldering supplies (and several kinds of soldering surfaces including charcoal blocks), displays, boxes and packaging.  They carry used tools, too. The last time I was there I saw hole cutters, rolling mills and ring stretchers among the items they had for sale.

One of the best places to shop for everything related to jewelry making is Beadfest Philadelphia.  The shopping bazaar runs from August 19 to August 21.   For a list of vendors, press here.  You can even download a floor plan.  Just remember that the Beadfest  venue has changed to the Greater Philadelphia Expo Center this year.  Maybe I will see you there!