Painterly Polymer Necklace

 

I had a lot of color swatches and scraps after  I completed the pattern and color sample exercises from Polymer Clay Color Inspirations.

 

Pattern Samples Bracelet

 

I layered them onto a 1/8″ sheet of clay and rolled them through the pasta machine to see how they would look as I rolled them thinner and thinner.  The well-leached clay crumbled in interesting patterns.  The fresher clay spread in a manner similar to what you see in Maggie Maggio’s Watercolor Technique.  I continued laminating clay (see the transparent layers),  noted where the most interesting patterns were and cut out  pods.  After baking, I put the pods in polymer clay bezels, baked again, drilled and strung on buna cord with o rings and polymer tube beads.  It’s difficult to see in the photographs, but I put a layer of Envirotex Lite  on top of the colored part of the pods.  The necklace has a matte finish and a bunch of tiny dings that, in this case at least, I think adds to its appearance. 

I plan to play around with this technique and will post any interesting results. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 


My Pivot Beads

Here are my pivot beads from the exercise in Polymer Clay Color Inspirations. The top pictures show the pivot color variations mixed according to the directions in the book. You apply thin sheets of the colors over thin sheets of the stripes. One of the purposes of the exercise is to show what effect stripes of black, white and gray have on the  layers of color applied over them. Even though I took a Watercolor Technique class with Maggie Maggio some time ago, what I learned there is starting to make more sense.  On to color collages!

To see some of my interpretations of the Watercolor Technique, press here, here, or here.

This just in!   I was thrilled to see that  Seth Savarick  has an article in the latest issue of  Art Jewelry Magazine on how to make his distinctive, lightweight bangle.  I have taken two classes with Seth and he has taught me so much about craftsmanship-an area where I can aways improve.  He also inspired me to learn how to burn my own screens for printing on polymer clay.  I wrote two articles explaining the process that appear in the Fall 2007 and Winter 2007-2008 issues of  Polymer Cafe.  You can order the back issues to  find out how to do it with a Speedball kit and some inexpensive equipment.   And if you have the chance to take a class with Seth, don’t pass it up!