Marionette Museum Lisbon

The Marionette Museum in Lisbon wasn’t mentioned in any of the guide books or web sites consulted before the trip.  But my friend Rachel, who had recently returned from Portugal, raved about it.  That and I have a penchant for traveling with Le Mutt who is the creation of puppeteer Francesca Hoerlein.  How could I resist?

The Lisbon Marionette Museum houses more than marionettes.  Its collection contains hand puppets, shadow puppets, masks, props and, of course marionettes from all over the world.

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Puppets have been around for thousands of years.  There was a puppet theater in Greece in the 5th Century BCE.  And puppets might even be older than that.

We all remember puppet shows from our childhood.  But puppets are more than dolls used to entertain children.  Puppets tell stories, sometimes subversive stories, that live actors would not be allowed to perform.

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And puppets are are made from every material imaginable.  The Museum houses creations made of cloth, wood, class, metal and clay.  I am sure there are 3D printed puppets out there.

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Be sure to visit the Marionette Museum if you are in Lisbon.  It’s not a big museum-you can see the entire collection in a couple of hours-and you will be glad you did.  Here are some more pictures.

Vintage Items at Clayathon Auction

We had a few vintage items this year. Not everyone at Clayathon was familiar with the work of Mike Buessler who specialized in landscape canes. The pin you see below is a cane and it is the exact reverse image on the other side. People have made landscape canes since the time Mike retired his tissue blade, but he was the first and the best.

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Mike Buessler landscape cane pin
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Carolyn Potter mosaic inlay pendant

I am not sure if Carolyn Potter is still working in clay. Her work was certainly beautiful as this mosaic pendant attests.

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Lindly Haunani Inclusion Swap Pendant

Lindly is still working in polymer, teaching, writing, and she taught a very popular class at Clayathon. I warned her that one of her pieces from the 1990’s swaps was going to be in the auction.

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Barbara McGuire Face Canes from Angel and Barrette swaps

Barbara McGuire is still very active in polymer as an artist, teacher and writer. It’s hard to retire when you have so many great ideas.

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Pier Voulkos Earrings and Pendant

Pier Voulkos retired from polymer more than 20 years ago. She set standards of artistic excellence for everyone.

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Pier Voulkos pin
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Grove and Grove Earrings

Michael and Ruth Ann Grove were artists who became involved with polymer in the early days who no linger work in the medium. The earrings above are a good example of their work.

If you want to learn more about the early days of polymer, go to the
Polymer Art Archive.

No Work and All Clay

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Clayathon logo by Robin  Milne

Clayathon starts in a few days and it won’t be too soon for me.  The hotel where we hold it was sold last year  and ensuing renovations meant we had to move Clayathon from February to April.  Nicer weather but too long a wait!  Fortunately, Clayathon will return to its February time slot next year and make that dreary month seem a little less miserable.

Here are some pictures from last years’ Clayathon.

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Experience the Golden Age of Swaps at Clayathon

We are having a bit of polymer history this year at Clayathon.  I have donated the items I received years ago in polymer clay swaps for Sherman Oberson to curate.  Some items will be auctioned off.   But everybody will be able to see the collection of polymer pens, beads, canes, jewelry and more made in the late 1990’s.   Most of the work is primitive by today’s standards and most of mine is downright ugly, but the learning curve was higher in those days than is now. Many swappers included notes and cards with their stuff sharing what they did and how they did it. None of this would have happened without the Internet.

 

Polymer Clay didn’t  come into its own  as an art medium until the advent of the Internet.  Before then,  polymer artists found one another pretty much by serendipity.  A few of these artists founded the National Polymer Clay Guild.  The National Guild started holding conferences.   But as the Internet came into its own, more and more people started surfing, found one another, and connected.

The most popular polymer site in those days was Polymer Clay Central.  This was back in the mid to late 1990’s before Leigh and Stephen Ross took over the site from Arlene Thayer.   (I  was not able to find a screen shot on The Wayback Machine because it only started tracking the site in 2000.)

People flocked to Polymer Clay Central for information, news, and to participate in swaps.  It worked like this: Someone would volunteer to host a swap, decide on a theme and would post a call for participants in Polymer Clay Central.   People would sign up and make items according to the theme-one for every participant-and mail them to the host or Swap Meister along with a small amount of money to cover postage.  The Swap Meister would sort through everything and send each participant a box filled with everyone’s creations.

Leigh Ross recalled the excitement of receiving a swap box: “Swaps were sometimes the only way that we could actually see, in person, someone’s work besides our own! I remember the excitement of opening the “swap box” when it arrived in the mail, and the joy of seeing others who were as crazy about polymer clay as I was!”

Here are some of my favorite things from the swaps.  There will be more at Clayathon.

 

You can see many more swap pictures on Polymer Clay Central here and here.

Cry Havoc and Let Slip the Dogs of War at Clayathon

I am cleaning out my workshop for two reasons.  The first one is to clear out things I will probably never use like all that novelty yarn that looked so pretty at the time, and all those unopened stamp pads that I acquired from various rubber stamping conventions,  goody bags and sales too hard to resist.

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Yarn

These items and many others are now packed in bags on my workshop  floor, ready to be taken to Clayathon for the Junque Table.  This is my second reason for clearing things out.  Because clearing out your workshop is so much easier if you know that your former treasures will find new life with someone else.

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The Clayathon Junque Table is a time-honored Clayathon tradition and the brainchild of Sherman Oberson, a serious collector of Junque, oddities, taxidermy and various art supplies.  Sherman invites Clayathon attendees  to sort through their supplies and bring anything from the “unwanted” category, the “no longer needed” category,  and the “OMG what was I thinking? category” to Clayathon where he and his crafty pack of  minions sort through everything,  The really desirable or costly items go into the auction.  The remainder go to the Junque table and are covered by a white sheet until the moment when Sherman whips the sheet aside, bellows,“Cry Havoc!,’ and let slip the dogs of war!” and retreats to a safe place while frenzied Clayathoners pick the table clean.

Here are some other things I am bringing for the Junque table:

 

Clayathon runs from April 4 to April 11 at the Seaview Resort in Stockton, NJ.   It’s sold out,  but I will be posting pictures.

Pottery Surface Design

I made two pieces this year that I actually like.  Imagine that!pot

This one’s going into the  fundraiser for Clayathon.  It is hand built (using the tar paper technique ) and stands about 9 ” tall.  The surface is screen printed, painted and carved.

This next one, also slated for the fundraiser, is hand built earthenware, screen printed and painted and is about 7″ wide at the base and 11″ tall to the top of the lid. It is perfect for a cookie jar.

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The last piece is a failure.  It went into the bisque fire looking like this:

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and came out missing a side piece.  I decided to glaze it anyway.  I like the surface effect  but this one goes into the reject pile.  I kept the pattern, however, and am going to attempt this one again.  It’s about 14″ tall.

 

Peyote Triangle Patterns for Dummies

I start off with a confession. I am horrible at following patterns. I am not making this up. OK, I can follow sewing patterns because they are all flat on the table and you have a basic idea of what you are supposed to come out with. But I could never pull off a paint-by-number picture when I was a kid and my first attempts at origami went into the trash can.  I can, for the most part,  follow simple beading patterns.  (In fact, one of my first published articles was a beading project.)  But unless I can count beads easily, I am lost.  This means I am mostly ok with loom graphs, Cellini Spirals, bead crochet and  flat peyote graphs.  So I learned how to make a peyote triangle with little trouble.

When I began to salivate over  beaded kaleidocycles, (you can read all about them and download a free pdf  from the Contemporary Geometric Beadwork website here) and wanted to try making one,  I hopped over to YouTube to learn how to make peyote triangles. ( VPBiser has an excellent video tutorial here.)  But for the life of me I could not figure out how to make anything more interesting than a two-color basic  triangle and I wanted some more exciting variations for my kaleidocycles.

After making a few peyote triangles, I began to notice some patterns emerging.   I figured out how to make a three-color pyramid! (See chart below.  I am assuming you already know how to make a standard peyote triangle).

tricolortrianglediagram

 

You can use the same reasoning to make a two-color pyramid.  If you simply alternate colors for each row, you can make a striped pattern.(See kaleidocycle picture in the bottom row.

 

 

 

You can see that for some triangles, I merely beaded rows in different colors much like you would crochet granny squares.    For the  triangles in the  bottom left-hand corner,  I started the triangle with white Delicas for the first two rows and began adding red Delicas in the third row.  From then on,  I added a red Delica whenever I could see that it would be totally surrounded by white Delicas.  This gave me a lovely chicken pox pattern.   If you double click on an image, you can view it full size.

I realize this might not be clear to some people, but the real aim of this post is to encourage you to find new ways to solve problems even if you think they’re over your head.  That’s the only way we learn.  Now that these peyote triangles make more sense to me, I think I’m ready to start tackling some more complex designs.

Fleisher Student Show 2019

Did you know that Fleisher Art Memorial is the oldest community art school in the US?  And that the  121st annual exhibition of student work opened there on February 15th?  With offerings that include works on paper, painting, sculpture, ceramics and jewelry, the work seems to get better with every year.

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The 121st annual student exhibition closes on March 15, 2019.

 

Open Studio at Art-Sci Designs

What inspires Terri Powell, the creative force behind Art-Sci Designs?   Terri spends her days wearing a lab coat and peering into the microverse through a high-powered microscope.  She spends  the rest of her time creating  wearable Modern Artifacts from  a wide range of materials that include polymer, metal, glass and any other materials she might pick up on her world travels.  (Last destination Portugal; coming up: Colombia).  She also develops  recipes for some incredible mixed libations  which she shares (along with  the occasional restaurant review) on her blog The P&P Drinking Company.   I’m sure I’m leaving something out.

I visited Terri at her open studio a couple of weeks ago and she turned me loose in her studio which she did not bother to clean up before hand because creativity is not an orderly process.  (Something I already knew).

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Table

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earrings

I didn’t get as many good pictures of  the finished work as I would have liked but you can see plenty of pictures on the Art-Sci Designs webpage here.

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And  I suggest that you follow Art-Sci Designs on Instagram here.  There is always something surprising and delightful to behold.

Philadelphia’s Fabric Row

I feel so lucky to live in a City where I am within walking distance from wonderful shopping districts with a genuine historical significance.  Of course there’s the 9th Street (Italian) MarketJeweler’s Row, and the Reading Terminal Market.   But one of my favorite areas is Fabric Row  is located on Fourth Street below South Street. Even though  I don’t sew much,  I love window shopping on this colorful street.  There’s always something to see.

 

According to the Philadelphia History Museum’s web site, Philadelphia’s bustling fabric row on South Fourth Street ran through the heart of a Jewish immigrant neighborhood. Peddlers hawked dry goods from pushcarts and sidewalk stands. Successful vendors opened family-run shops. Dressmakers, shoppers, and tailors flocked to this area of the Queen Village neighborhood to purchase fabrics and notions for their customers and families.  

There aren’t as many fabric stores on Fourth Street as there used to be. Times change.  People are not sewing as much as they used to. (Although home sewing has moved into a new phase.)  New businesses are popping up among the fabric stores  including independent fashion stores,  shops selling hand made goods and the wonderful  Kawaii Kitty Cafe.  It is still a thriving, vibrant area.

 

 

Visit Fabric Row the next time you visit Philadelphia.  In the meantime,  here are some more pictures  I took on walk down Fabric Row when the weather was much warmer!

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To learn more about Fabric Row at Hidden City Philadelphia, the Encyclopedia of Greater Philadelphia and the Fabric Row web site.