Magnet Clasps for Polymer Clay

I have been interested in using rare earth magnetic clasps in polymer pieces for a long time but haven’t done any work on them lately. My interest was rekindled when I signed up for Curious Mondo’s 2023 Polymer Clay Symposium and watched Belgian polymer artist Allison Cohade demonstrate how to make a brooch with a magnetic fastener. Even though the demo was complimentary, the technique is not mine to share. You can purchase the entire 2023 symposium here. I don’t know if there is a way to purchase the video as a single tutorial, but it never hurts to ask.

My prior experiments with magnetic clasps involved hiding the magnets in the beads of the necklace in unexpected ways and places, instead of making the magnet clasp the focal, or placing it at the back of the necklace where most clasps are usually found.

Of course, one of the big problems with using magnets with polymer is that magnets become weak when you bake them, (although they now have magnets you can bake and they won’t lose their strength. If I try them, I will post about it.) So you have to find an artful way of incorporating them into the clay.

But then I had an aha moment. You don’t bake metal or wood or a myriad of other materials that you use to make jewelry, and yet I see wood and metal jewelry with magnetic components all the time. So, what’s the big problem? That problem is how to attach them to to clay and either integrate them into the design, or make them invisible. So it’s not a clay problem as much as a design problem.

There are (generally speaking) two ways to attach jewelry components: mechanically, (examples are bezels, prongs, soldering, and wire bending meant to capture a stone, a chain, or a finding), or chemically (glue). Traditionally, jewelers frowned on chemical attachments. But there’s a school of thought that says that if people like Faberge and Cartier had access to the quality of glues we have today, they’d have used glue. I’ll leave that for you to decide.

We usually glue rare earth magnets onto polymer. Is this chemical attachment enough to hold them in place permanently? Some authorities suggest that it is. Here are some tips.

I think that making magnetic brooches might present less of a challenge than magnetic clasps because you never see the back of the brooch. It’s hidden when the brooch is worn. Then again, you want the back of the brooch and the magnets to look great anyway because this is a hallmark of good craftsmanship.

K&M Magnetics has a handy guideline sheet for making magnetic brooches. This site discusses the pros and cons of pin brooches vs. magnetic brooches. Here’s a video on how to make a non-polymer magnetic brooch which might give you some ideas.

Donna Kato has a great video with instructions for making a magnetic clasp up on her YouTube channel. I am trying variation on her methods and will post my results here, along with some of my own ideas. Speaking of Donna’s channel, you really need to watch every one of her videos, even if you consider yourself advanced. You are guaranteed to learn something. This is an incredibly valuable resource that’s available for free, so why not check it out?


Clayathon Online 2022

A lot of planning went into Clayathon 2022. We had an incredible team of volunteers who worked together seamlessly, who supported one another, and made it happen. With registrants exceeding 450 this year, I was concerned about how we would handle them all on a Zoom meeting. But there were no problems. Everything and everyone came together.

The sense of community was palpable. Although most Clayathon registrants came from the United States and Canada, a number of registrants from Russia, who came to us via polymer artists Juliya Laukhina and Olga Guseva, joined us. It seems surreal in light of recent events that less than two weeks ago we were together online sharing tips, techniques, and talking about our personal histories and sources of inspiration.

From Juliya’s presentation
From Olga’s presentation

Donna Kato and Anna Ko of the Van Aken Clay Company dropped by to show off some exciting new products. Their video just went live on YouTube and here’s the link.

Wendy Moore joined us live from Australia where, aided by Kathleen Dustin and Cynthia Tinapple, she educated us on the history of Samunnat in Nepal, which is an organization dedicated to empowering Nepalese women who have experienced violence or abuse to become financially independent. One of the programs Samunnat sponsors is teaching women to make and sell polymer jewelry. You can support this wonderful program by buying some of this jewelry for yourself. More information here.

The Gathering grew out of an interview of polymer artist Debbie Jackson by Cynthia Tinapple after the murder of George Floyd. Debbie issued a call to action and assembled a group of 14 polymer artists, 7 white and 7 black. They met weekly on Zoom to have hard, unflinching conversations about race, society, and the impact it had on their lives and art. In October, 2021, they opened a group show, Truth Be Told, at the Two Villages Art Society Gallery in Contoocook, NH. For the exhibit, each artist chose a word that she felt related to the topics discussed in the conversations and created a piece of polymer art around it.

Several of the Gathering artists joined us online at Clayathon to discuss the exhibit and their contributions to it. It was a moving, challenging presentation.

Syndee’s New Tips and Tricks

We ended Clayathon on a lighter note with an entertaining presentation by Syndee Holt on what’s new on the polymer horizon and what’s trending in general.

I wrote about Loretta Lam’s incredible presentations in last week’s post. If you are interested in purchasing her jewelry or her book on jewelry design (which I heartily recommend,) press here.

Canes, Canes and More Canes

I initially tried polymer clay because of its amenability to caning techniques.  I had always loved African Trading Beads and wanted to try my hand at millefore.  No matter what I do with polymer clay, I always find myself coming back to caning.

So when my copy of Donna Kato’s eagerly awaited new book, The Art of Polymer Clay Millefiore Techniques came in the mail, I snuck off and read it from cover to cover.

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You don’t need intricate canes to have a pleasing design. The simple caned necklaces below were inspired by a design I saw in South Africa.  I learned the spiral and jelly roll cane techniques from Donna Kato’s demos and classes.

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Continue reading “Canes, Canes and More Canes”