Fleisher’s 122nd Annual Faculty Show

Some selected works from Fleisher’s 122nd annual Faculty Show. The works this year range from oils and photography to collage, prints, mosaic, mixed media, sewing and ceramics,

Robert Reinhardt The Circle Game
Kayoko Paw Bowls
Marie Elcin Touch
Inga Kimberly Brown Captivating Ron
Fran Gallun Flight of Fancy
Daisy Diamond Vessel of Sewn Memory
Dianne Koppish-Hricko Cycle
Claire Brill Loss
Carol Stirton-Broad Perceptions (#1 Red Sky)

The show closes on September 24, so you still have time to check it out in person. Fleisher is located at 719 Catharine St, Philadelphia, PA 19147. For more information, press here.

Not Your Mother’s Majolica

Majolica glaze is a white tin or zinc-based glaze that provides a smooth coating on terracotta clay and acts as a perfect foil for underglaze decorations which are painted on top of the Majolica glaze.  The beauty of the Majolica is that it doesn’t move,  so anything you paint on top of it stays put.   For an explanation of the process, press here and here.

Here are some classic examples: tiles from Portugal.

MajolicaTilesPortugal

So I probably should not have been delighted when I took this out of the kiln.

8-out-of-the-kiln

And yet, I was.   To be fair,  I didn’t start off conventionally.  I took a terracotta bud vase, dipped it in a cone 04 dipping glaze called Ice Blue (you can get the recipe in a free booklet on the Ceramic Arts Network site here. ) 

The glaze has chunks in it and it’s supposed to run and collect in crevices.  It can look interesting when you use it on white earthenware (see right) and beyond boring over terracotta (middle). 

We have a bucket of Majolica glaze in the studio and I decided to experiment.  I had to dip the vase three times to get a good coat, letting the glaze dry completely between coats.  You can see the crackling and crazing from the Ice Blue glaze in the right hand picture below that might have looked interesting had it been on the right kind of clay.

7-underglaze-decoration

I let the glaze dry overnight before adding the underglaze decoration.

7-underglaze-decoration

And here’s what I got!  This was fired at cone 06.  I surmise that the Majolica and the underglaze shifted because the Ice Blue glaze beneath it moved.  I am not sure what I expected.  Not everyone will like this, but for me it was a pleasant surprise.

Drawing Bridges at Cherry Street Pier

I went to Cherry Street Pier with the Color Wheels gang last week. It was the first Color Wheels outing I’ve been on for more than a year,

The Color Wheels Van

The art project was drawing the Ben Franklin Bridge which is right next to Cherry Street Pier.

It’s not an easy task to draw a suspension bridge, even with an army of erasers and rulers. But lead artist Maureen Duffy helped a lot of people tackle the project and walk away with drawings. Here are some I got to photograph.

Glad to be Back

I’m back in the pottery studio this week decorating and glazing all the bowls I threw last year. The studio has limited access, we observe social distancing, and we all wear masks which is generally a good idea in a pottery studio. I’m glad to have a little brightness and color to add to these dark winter days. Spring is just ahead! Here are some pictures.

Waiting This Thing Out

The pandemic is raging again and I joined my family on Zoom for Thanksgiving dinner. I was surprised at how well it turned out. We all just fired up our computers, parked in front of them with our dinner, and had a meal together even though we were in different locations. Much safer than traveling but we did miss the human contact.

The pottery studio is closed
My shelf as I left it.

The pottery studio is closed but I was working on decorating some bowls I had thrown when the closing announcement came down. I’m hoping to get back to them after the first of the year. In the meantime, here are some pictures. Stay safe and wear your mask!

Look! I Made a Mug

Actually, I made two, and snatched them out of the studio before the Fleisher Art Memorial open Ceramics studio closed in response to the latest Coronavirus surge. We had been working in the studio since September with added precautions, masks, a limited number of people, and social distancing. But safety is more important.

I decided to try making a hand-built mug where the handle and walls of the mug were all one piece, and I would add a bottom. In pottery as in jewelry designing, making paper models saves a lot of time and materials. So I made a paper template for the mug.

Mug template with bottom
Mug in the making.
Underglaze painting on greenware.
Mugs after bisque fire. I covered them with a clear satin glaze.

And the scraps from the foot rings inspired me to make a covered jar with a fancy lid. I’ll do some cold finishing on this one.

In Her Memory

Thrown platter, white earthenware, black underglaze painting

Marjorie Waxman created this platter in the pottery and ceramics studio at Fleisher Art Memorial.

Back in the Pottery Studio

I am computerless this week because my laptop is in the shop. I left it plugged in too much and the battery swelled alarmingly. I got it to the repair shop (Wise Guy Tech. If you are in Philadelphia, they are the best!) in time and dodged a bullet. I had no idea I was doing anything wrong, but I know now. ( If you use a laptop, read this. ) So I am writing this post from my phone.

Fleisher Art Memorial reopened its pottery studio this week! There are new requirements to use the studio because of the pandemic. We all have our temperatures taken before we go in, wear masks, and observe social distancing.

I brought over lots of colored porcelain to make little objects which I can bisque fire at Fleisher and finish with a cone 6 firing in my own kiln.

But I started out glazing some earthenware pieces I’d left unfinished when the studio closed last March. Here are some pictures

Evolution of a Decorated Bowl

One of the things I miss most is not being able to go to the pottery studio because of the pandemic. Fleisher Art Memorial is reopening its open pottery studio program in the fall (with safety precautions). I am looking forward to returning.

In the meantime, here are some pictures of a bowl that I threw on the wheel and then decorated with slips and underglazes. It’s white earthenware, low fire pottery.

Designing a Jewelry Set in an Online Class

Everything is closed at Fleisher Art Memorial because of the pandemic so they have moved many of their classes online.  I decided to take a class called Designing a Jewelry Set with teacher Maureen Duffy and I am loving it.   Registration for the summer term at Fleisher has just opened and if you are interested in taking Designing a Jewelry Set, you can sign up here.

Our first assignment was to design some rings, just brainstorming and not worrying about how or if we could actually make them.  Here’s what I came up with:

rings

(A note here,  I use MS Word to draw.  For more information on how to do this, watch some YouTube videos here.   It’s a handy tool and you don’t need the latest version.)

1

My classmates and I bounced ideas off of one another and I got the idea to use ceramic pieces in some of the rings.

 

3

Trying to figure out how a ring would look with a ceramic focal and how to make it.

 

2

Our teacher advised us on how we might execute our designs  told us about web sites and jewelry artists who were doing similar things so we could see their design processes.

I actually tried making a couple of the designs in bronze.  I don’t think the ring with the ceramic focal is very practical, but it was fun to try.

Next assignment:  design earrings that harmonize with the ring designs.  Here’s what I have so far:

earrings

Again, I drew the designs in MS Word and will  attempt to make a few in bronze.  I’ll let you know how they turn out.

Fleisher is offering an array of  online art classes for the summer including a class in jewelry wax fabrication with  Hratch Babikian who is an extraordinary teacher.  You don’t have to be local to Philadelphia to take these classes, and the tuition is very reasonable.