My Head Is Exploding

My head is exploding this week.  I have been working with bronze metal clay and making bigger pieces and hollow forms. unfiredBronzeClayBead I am going to have to rethink my firing methods and schedules.  The folks on the Metal Clay Now Facebook group have given me lots of great advice.  Stay tuned on this one.

I went to Baltimore last week to play with  friends and to go to a sale at Maja, one of the most incredible bead stores I have ever encountered.  I treated myself to an incredible sterling bead decorated with dragonflies.  (When I manage to take a decent photo, I will post it. ) The next day, we went to the stores in the Village of Cross Keys and I saw the most incredible fiber jewelry in The Store LTD,  the very same store that Betty Cooke owns and from which she sells her marvelous modernist jewelry.

I was so inspired that when I came home, I got out the fabric stash and began dyeing and cutting silk that I’ve recycled from thrift shop finds I bought on a former fabric frenzy.

Then I got out the drop spindle  and started to make knittable fiber (could I even call it yarn?) from  strips of fabric sewn together.

Fabric of spun yarn

My aim is to ply this fiber with ribbon or cord and make something from it.  Stay tuned on this one too.

Where Do You Get Your Inspiration?

 

I was  going to write a post a few months ago about a wonderful visit I made in July 2019 to the University of Pennsylvania Museum of Archeology and Anthropology. But one thing led to another as it usually does. The Penn Museum post went into the drafts folder and I went on to other things. I recently returned from Southern Spain(Seville and Granada)where I was overloaded with Spanish Baroque interiors. They are beautiful, but after awhile, you feel like you’ve eaten too much birthday cake. (At least I did).

 

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Catedral de Granada, Santa Iglesia Catedral Metropolitana de la Encarnación de Granada

“Where do you get your inspiration?” is a question I sometimes hear. And while I will not be making a Spanish Baroque wedding cake any time soon, I find inspiration pretty much everywhere.  Which brings me back to the Penn Museum.  There is certainly enough to inspire anyone who spends an afternoon (or better, the whole day) there.

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Koi Pond

The Mesopotamian jewelry collection is outstanding.  Here are some pictures, but it’s better to see the collection in person.  Royal Tombs of UrUr Headdress

The Near Eastern pottery collection is also very interesting.  These pots are from Iran.

I was so taken with the pot shaped like an Erlenmeyer flask  that I decided to make my own version using the tar paper technique,   Here’s where memory and inspiration clash: I remembered the shape upside down.

3d6efd914115433b5fe2ff5655a7a570There’s a picture of the finished version in this post.  The pot was auctioned off at Clayathon  and went home with a (I hope) happy person.

But I think I love the Mexico and Central American collection best because it contains some striking Mayan artifacts as well as jewelry and pottery.

I love that turtle (I think) vessel and could see myself trying a colorful terra cotta version.

Where do you get your inspiration?

What Happens When You Fool Around

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I don’t know if you expected a post on teenage pregnancy but that’s not what I mean by fooling around.  I mean playing.  I’ve always liked to play and to try new things.   My wild imagination has confused and alarmed most of the adults that I’ve met since the age of 12.   Those who can roll with it and play along usually become friends.

Creativity is currently a sexy topic Internet topic, (maybe not as popular as pictures of cats) and people are exhorted to play with color, try strange and exotic spices and  have experiences rather than collect consumer durables.

A website called,  Creative Something.Net says

“Play is more than just important for creativity, it’s often necessary.  Without a play-like attitude, creative insights hide from us behind fear and uncertainty. When we don’t embark on activities that involve play, being creative becomes a challenge.”

Remember, creativity brings something valuable to most things in life (OK, so maybe not accounting.)

I ‘ve been playing in my workshop lately.  I haven’t come up with anything new yet, but I’m having fun and trying new things.   Here are some pictures.

Fooling around with bronze wire which I squared in the rolling mill.  How would it look if I soldered the rings together and bent them into a cuff bracelet?

Fooling around with shapes to see what would make an interesting cuff bracelet

What can I do with a fork?

What can I do with rings I never finished and jump rings?  The medallions on the right are Hadar’s white bronze clay which is not a favorite of mine because it is fragile.  Still, I like the medallions.  They remind me of old miraculous medals.

Here is some more white bronze clay I fooled around with.  I think the dangles look a little like sea urchins.  I wrapped the ones on the left as if they were briolettes.  I think I like that better than the ones on the right with the jump rings.  I like the way the clay turned color and  I  decided to leave them like tha.

I am trying the rings and medals as embellishments for polymer bangle bracelets.  I also used some pre-made gear charms.

I am also fooling around with bronze metal clay.  The picture on the right shows torch-fired Prometheus Clay on the left and kiln-fired BRONZclay on the right.

Next: I’m going to try to make my own gear embellishments using Five Star metal bronze clay Something good is bound to emerge.  I hope.   That’s usually what happens when I fool around long enough.

Looking for Inspiration? Try a Flea Market

Spring is when the outdoor flea markets spring up in Philadelphia.  My favorite Saturday activity is to take long walks through the neighborhoods and hit house sales, sidewalk sales, and flea markets on my way.  I usually look for household items I might need at sidewalk sales.  Estate sales are especially interesting because they are usually held in affluent neighborhoods and you get to see some pretty impressive homes from the inside as well as antiques and art.  You also learn that money does not always equal taste, but we knew that already, didn’t we?

Flea markets are fun because the sellers are generally pretty friendly in my experience and some are eager to talk about their wares even if you don’t buy.  They’re a place to learn, meet people, and relax.

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John S. Whitney, Jr. has a clever way of attracting buyers to his table filled with antique art and jewelry.  He also sells from his store, the Nue Gallery, in Lansdown, PA.

While I don’t collect antiques or vintage items, and rarely buy jewelry,  I find plenty of inspiration at flea markets.  You will find plenty of shapes and color at flea markets, in the form of old pottery vintage clothing, brightly colored cloth, old appliances, or just plain rusty stuff.  I have found some great old tools at flea markets, but I also look for things I can incorporate into my art, like old jewelry, metal objects I can cut up and repurpose, ephemera,  or anything that I can fit into a bezel.

Here are some pictures from my last flea market foray

 

And here’s what I bought: two cheap copper cuff bracelets and two cheap brass ones.  Total, $5.00.  I plan to reuse the metal to make something new.  I also found a vendor selling cabochons and treated myself to some lovely striped jasper for another $10.00.

My Haul

The Picasso Vase

I made a Picasso vase.  Or rather, the other people in the studio started calling the vase The Picasso Vase before I ever thought of it.  Probably because of the shape which would have been impossible to achieve without the tar paper technique (which I also used to make the menorah.)
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You can from the picture above see how difficult it would have been to support the vase in its wet state without the tar paper to support it.  It was three wet slabs with beveled edges, scored and pinched together.

 

    Paper covered vase on left (upside down).  Bone dry vase before bisque firing on the right.

If the vase was to be an homage to Picasso, I needed to decorate it with Picasso-style images.  I decided on a cat, a mouse, and a fish.   Here are some preliminary sketches I made for the mouse.  I started with realistic drawings and got more abstract as I went.

 

I had no problem deciding on the cat portion and the fish came to me all at once.

 

Here are the designs for the mouse and fish,  drawn on the bisque-fired vase with an underglaze pencil.

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The cat in progress.  I used underglaze chalks and liquid underglazes for color.

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        Right out of the kiln.

 

 

The finished vase.

 

I Finished The Coin Pendant!

I started the story of my attempts to make a coin pendant  with a post a couple of weeks ago.   I am happy to say that I have finally made a respectable pendant which I intend to give to a friend whose story is much more interesting my story:  Friend got married and started a family soon after high school.  She got divorced and worked at several kinds of jobs before remarrying.  When she was down sized from a job, her current husband reminded her that she had always wanted to go to college and thought that if they looked hard enough, they could find some scholarship money.   She did, they did, they did and she enrolled at the University of Pennsylvania.   And emerged with a Ph.D in Anthropology in 2015.   Since her dissertation was in the field of Irish Studies,  I came up with the idea of setting an older (pre-Euro) Republic of Ireland coin into a pendant  for a graduation present, and I begged some coins from her obliging husband who is a little fanatical about Irish culture himself.   I am only 2 1/2 years late.  But after I got my brilliant idea, I had to learn how to execute it.  I could not find any new instructions (not that they would have helped.)  I finally got inspiration from two YouTube videos by Online Jewelry Academy on how to make a gallery prong setting.  You can watch the videos here and here.   And I got the basic instructions on how to make the bail from a Soham Harrison video you can watch here.

 

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I milled some 14 gauge square sterling silver wire, measured and cut it and soldered it and formed it into a circle.  I wanted it to be the exact diameter as the coin so you didn’t see it from the front, and for there to be a frame on the back of the coin that did not obscure any coin markings.  I decided to have three prongs hold the coin in place and to make the prongs from 14 gauge half-round wire.  The picture above shows a notch I filed for one of the prongs.

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Checking the fit of the wire.

 

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Here is the assembly laid on the soft brick before soldering.  The ring is already soldered. The prong bottoms are pushed into the brick to steady them.  I had a few soldering failures until I made some changes that I think helped.  First, I laid out everything and then made holes for the prongs so I could get them right into the notches and up against the circle.  Secondly, I put a pallion of solder between the prong and the circle right in the notch.  Third, I bent the prongs inward slightly to be sure they were really hugging the circle. I also soldered the ring, quenched and pickled and then tackled the prongs with a softer solder.  I didn’t try to solder all four elements at once like I had done before.  It worked! I had total soldering success! 

05.4a before trimming

Here’s the assembly before I cut the bottom of the prongs flush with the bottom of the circle. 

 

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The cleaned assembly with the prongs trimmed.  They still have to be filed and sanded so they look good and don’t catch on clothing.  

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The coin sits on the circle and the prongs are folded over, trimmed, filed and sanded.  But the inside of the prongs have to be filed to allow the coin to sit perfectly flat on the circle.  So I had to mark the thickness of the coin on the inside of the prongs and then file-very carefully-so the coin fits in without a gap. It’s fiddly work; if you file too much you’ll weaken the prongs.  Too little and the coin will sit askew.   But it’s not really difficult.  

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Still need to file a bit more.

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A perfect fit!  I start to bend the prongs over gradually.

10.8SolderingBail

The bail has a prong soldered on the inside front which feeds through a hole in the back.  I altered the bail a bit so it wouldn’t open.

11.9Front

 

01.10 Back

 

And here’s the finished pendant!  Still learning, but I like the way it came out.  Finally!

Artspiration 2017

This year’s Artspiration Community Festival at  Fleisher Art Memorial was a blast.  I worked at the Color Wheels table helping kids and adults make seed bombs with clay and wildflower seeds and helped out at the Open Studio pottery table.  There were plenty of free activities for kids including face painting, mural painting, spin art pictures.  Philly Typewriters was there with two tables of portable machines  and the younger attendees were lining up to try them.  

Here are some pictures

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We enjoyed music and dancing throughout the day.

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The Color Wheels van wore a big party hat to celebrate its 5th birthday.

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A decorated seed bomb

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Texturing the clay for the seed bombs

Tesla Necklace with a Nod to Cynthia

I love big beads.  Big hollow beads.  Doesn’t matter whether they’re made of glass, metal or polymer.    Maybe because it’s a challenge to figure out how to make them and probably because people are always surprised at how light they are.   And I have made a boatload of hollow beads over the years.  

Which brings me to last week when I brought a strand of big polymer beads into the pottery studio and someone was interested in buying it which was a problem because it was only temporarily strung and I had not figured out an appropriate clasp.  But it got me thinking.  

I have always admired the perfectly integrated polymer covered barrel bead clasps on Ford and Forlano’s big bead necklaces.  I wanted to make an integrated clasp myself but I did not want to use barrel bead – I wanted to use a hidden magnetic clasp.  Which brought up two problems.  First, it would have to be a very strong magnet. Big hollow bead necklaces still have some heft after all. And you cannot bake a magnet without diminishing its magnetic properties.   People used to bake their magnet clasps all time time. But we have learned that  baking weakens the magnets.

So I had to find a strong magnet and a way to integrate it into polymer bead halves without baking.  I was surprised to learn that there was a paucity of information on using magnets and polymer clasps.  I mean there are some old tutorials that instruct you to bake the magnet into the clay but as we have discovered, that’s a no-no.  

Then I discovered Mag-Lok magnets and found this video  from Cynthia Tinapple.  I put my own twist on Cynthia’s technique and  made a necklace with the Tesla beads and a magnetic clasp.   How very appropriate. 

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I will share how I make hollow polymer beads and magnet clasps at the next meeting of the Philadelphia Area Polymer Clay Guild.   Thank you Nikola Tesla and Cynthia Tinapple!

 

 

 

 

 

 

 

 

 

 

Clayathon 2017

Another Clayathon has come and gone.  There was a record attendance of 80+ this year from all over the US and a delightful contingent of clayers from Canada.  Clay retreats really are a wonderful place to make friends and to rekindle old friendships.

Lindly Haunani, this year’s guest artist, shared her color expertise with six hours of presentations stretched over three days.  In  between Lindly’s demos, the attendees shared their knowledge of techniques ranging from Kumihimo, wire working and wet felting as well as basic to advanced polymer demos.  

There is a lot I am not mentioning but I am still recovering from the experience. When I got home, I went straight to bed and got up 14 hours later.

Here are some pictures.

 

 

Sculpting a Cat Figurine

Boris was not the inspiration for this figurine although I have been taking a figure drawing class and drawing Boris for practice. No, he does not pose for me. What cat would? But he is good for ten nanosecond poses and gesture drawing.  Sculpting a cat figurine sounded like a a fun idea.  I have sculpted two cats before, but  both were in polymer.  Now that I have access to a pottery studio, I decided to try my hand at making a terra cotta cat which is a horse of a totally different hue.

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Here are the preliminary stages of the figurine.   You have to be careful not to leave any air bubbles in the clay.  Small ones will probably dry closed but big ones can explode in the kiln.  And unless all the clay is thoroughly dry inside and out, there is a danger of explosion in the kiln.

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Here is where I started adding character.  You will note that the cat looks well fed.  In fact, I had to make his tummy hollow to insure that the clay would dry and that the figurine would not weigh a ton.  I made an air hole  underneath the figurine, wrapped it in plastic, and when the clay was hard enough, I put the puss on two sticks so air would reach the hole and dry inside.  I put the figurine aside and forgot about it for a few weeks as it dried out slowly-the best way to prevent cracking.  I did some painting with underglaze before putting the cat in the kiln.  When he came out in one piece, the hard part was over,

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I glazed the cat with matte clear glaze for the final firing.  the white, orange, blue and other colors you see are the underglaze.

And here is the finished cat!  His I.D tag, which is hard to see, says “Tiny.”

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The resident art critic seems to approve.